CineStill has made unique color films available for still photographers for over a decade now. Beginning with our small-batch beta films — making motion picture film compatible for standard photo lab processing and printing for the first time ever! Shortly followed up by the first factory finished versions of 800Tungsten & 50Daylight “Xpro C-41” — based on scaling our original “Premoval” process for expanded worldwide availability. And now to our further improved manufacturing of 800T, 400D and 50D — marrying advanced motion picture technology with professional photography components and specifications, in 135, 120 and 4x5 formats. We have always strived for consistency and technical excellence, while championing the unique characteristics and imperfections of film. But there still is a real difference between a predictable novel quality and a true deficiency. In this post-digital age, it is more important than ever for those who choose to shoot on film (whether amateur, professional, or anything in between) to get both their time and money’s worth. Ultimately, we encourage everyone to shoot more film, any film, and find what works best for you! However, it is our responsibility to manage what consumers can expect from CineStill film, and why their experiences may differ should they choose to go elsewhere.

Photo of a light table with some samples of imitation films processed together in the same tank with 800T as a control.

When searching for CineStill films have you come across any “brand new” color films “made by” random brands lately? Are their claims strikingly similar somehow? Have they cracked the CineStill code? No, they have not. We are not here to be nit-picky or point fingers and name names — which might get a little confusing — but some names may sound familiar to you by now. Those “800T” imitations and “400D” generics (repurposed from existing 500-speed or 250-speed motion picture film, respectively) are not representative of the original motion picture film’s quality nor the performance of CineStill films’ sensitivity and color fidelity. Although they may replicate the signature CineStill red halation glow, they are only somewhat comparable to expired film, in that they appear age fogged with shifted color-balance and exhibit a slower effective film-speed (200-400 ISO at best) resulting in a film not suitable for proposed use, let alone low-light photography; that is unless you like underexposed/expired film. For those looking for fresh film, we are fortunate to still have several other excellent high-speed color films available today (even with the recent unavailability of 400H and C200) — from UltraMax and Portra 400 to Lomo 800 and Portra 800 — but 800T is still the only tungsten-balanced, true 800-speed film made for still photography. Anything else, isn’t…

Here at CineStill, we make 4 different emulsions for medium format photographers — 3 color negative and 1 panchromatic black and white film. They are 50D (50Daylight), 400D (400Dynamic), 800T (800Tungsten), and BwXX (Double-X). For a limited time, both 50D and BwXX in 120 are on sale on our website — cinestillfilm.com! Check them out below!

Hi there folks!

This week, we've got something planned for all of our fine-grain loving, sun-soaking, 50D lovers out there!

Image by Ethan Gully, Shot on 50Daylight 120

#CineStillDevDays part 3 is on it's way, 5:30pm PST this Friday, April 10th on Instagram Live! But First, a hearty "Thank You" to all who tuned in last Friday! Your support means so much to us!

We first discovered Maarten Groen on Instagram and quickly became huge fans of his stunning work. Shooting almost exclusively CineStill Film, he recently self published a book of images shot on our film!

For this spotlight, we simply asked Maarten to talk about shooting impactful still photographs alongside his work as a film director. Thank you Maarten for supporting CineStill and for being such a beautiful part of our film community!

Hi, I’m Maarten Groen and I’m an analog addict...

With so many choices currently available, it helps to have some understanding of when a particular film excels. Looking at CineStill 800T, it is necessary to understand where this film comes from and what it was originally designed to achieve.

CineStill 800T is produced from a Kodak motion picture emulsion originally designed for shooting in limited artificial, continuous, incandescent light. This film is known in the motion picture industry as Kodak Vision 3 5219, the 3rd generation of tungsten balanced EI 500 color negative motion picture film, and is the standard for movies shot on film in Hollywood. 5219, or "19" as it is commonly referred to, is optimized for a hybrid workflow, ideal for scanning, with literally futuristic features (from a still photography perspective)...

CineStill in MEDIUM FORMAT is here!!!