{"title":"Negative Supply","description":"","products":[{"product_id":"ns-basic-film-carrier-35-mk2","title":"Basic Film Carrier 35 MK2","description":"\u003cp\u003e\u003cspan\u003eIntroducing the \u003cstrong\u003eNegative Supply Basic Film Carrier 35 MK2\u003c\/strong\u003e: The perfect tool for scanning strips or full rolls of 35mm film quickly, easily, and affordably whether you’re at home, on the go, or in the studio! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Basic Film Carrier 35 MK2 is a revolutionary update to the Basic Film Carrier 35 that will reshape the landscape of 35mm film scanning. Using shared parts and processes from the Pro Film Carrier 35, it offers superior film flatness to its predecessor and is capable of scanning all 35mm film formats including half frame, full frame (standard 35mm), and panoramic sizes in a single capture.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKeeping your film perfectly flat with the improved double S-shaped channels in the film scanning cassettes, the Basic Film Carrier 35 MK2 allows you to use a digital camera and macro lens to capture backlit images of a full length roll of film in as fast as two minutes. Most modern digital cameras, from entry level to professional, will allow you to make beautiful film scans. Building off the wide system of Negative Supply film scanning tools, this device is the perfect starting point for photographers of all skill levels. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"Film Carrier","offer_id":42669314605228,"sku":"NS-BFC35MK2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFC35MK2_5_49c2921d-12d7-421f-bbf9-539766365c18.jpg?v=1729024524"},{"product_id":"ns-basic-film-carrier-35-mk2-stabilizing-mask","title":"Basic Film Carrier 35 MK2 Stabilizing Mask","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIntroducing the \u003cstrong\u003eNegative Supply Basic Film Carrier 35 MK2 Stabilizing Mask\u003c\/strong\u003e, designed to seamlessly connect the Basic Film Carrier 35 MK2 to the 4x5 Light Source Basic MK2 or Light Source Mini. The Basic Film Carrier 35 MK2 Stabilizing Mask offers stability and masks extraneous light when scanning your film. This simple accessory is guaranteed to make your workflow more efficient and helps to complete the Basic Film Carrier 35 MK2.\u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"For Basic Film Carrier 35 MK2","offer_id":42684159361196,"sku":"NS-BFC35MK2SM","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFC35MK2SM_1_cfb0c668-0e0c-4e20-b0db-1cbcd7742c2b.jpg?v=1722364172"},{"product_id":"ns-professional-97-cri","title":"4x5 Light Source Pro","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDesigned with 35mm, 120 and 4x5 film in mind, the \u003cstrong\u003eNegative Supply 4x5 Light Source Pro\u003c\/strong\u003e is created for those who demand a solid, reliable, and ultra bright light source with a high degree of color accuracy without compromise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe light source designed in-house, using black powder coated CNC machined aluminum for increased durability, screw-in rubber feet for stability, and in-house finished acrylic for increased brightness, CRI rating, and improved light uniformity. It features an \u003c\/span\u003eEV rating of 16+ (97 CRI) and 15+ (99 CRI), 26,000+ LUX rating (97 CRI) and 17,500+ LUX rating (99 CRI). It is backwards compatible with all Negative Supply accessories for Light Source Mini, 4x5 Light Source Basic, and Pro Mount MK2 (or MK1). \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProduct Dimensions (L x W x H): \u003cspan\u003e7.875 x 7.125 x 1.375 (scanning area: 5.25 x 4.25). \u003c\/span\u003e\u003cspan\u003eProduct weight: 2lb 2.1oz (without power supply). \u003c\/span\u003eDesigned to be used with lenses up to 105mm full frame equivalent for 4x5 film scanning, and effectively any possible focal length for smaller than 4x5 inch film. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e4x5 Light Source Pro\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInternational AC power supply with domestic and international power adapters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e\n\u003cbr\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are several plugins and standalone programs for converting digitally captured negatives into positive images. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Negative Supply","offers":[{"title":"97 CRI","offer_id":42681384239276,"sku":"NS-45PROLIGHT97","price":549.0,"currency_code":"USD","in_stock":false},{"title":"99 CRI","offer_id":46285957791916,"sku":"NS-45PROLIGHT99","price":749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/45PRO97CRI_1.jpg?v=1691177594"},{"product_id":"film-scanning-hood-for-film-carrier-35-120","title":"Film Scanning Hoods","description":"\u003cp class=\"\"\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply Film Scanning Hoods\u003c\/strong\u003e securely mount to the Basic\/Pro Film Carrier 35\/120 (select option via drop-down menu) to reduce glare from overhead lights or windows, allowing for cleaner, higher quality scans. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"35mm","offer_id":42686202282156,"sku":"NS-35HOOD","price":39.0,"currency_code":"USD","in_stock":false},{"title":"120","offer_id":43434586079404,"sku":"NS-FC120HOODM2","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFCMK2_HOOD_1.jpg?v=1717614425"},{"product_id":"35mm-full-border-scanning-cassette-for-basic-film-carrier-35-mk2","title":"35mm Full Border Scanning Cassette for Basic and Pro Film Carrier 35 MK2","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in minutes. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eNegative Supply 35mm Full Border Scanning Cassette\u003c\/strong\u003e allows users to scan with full borders (including sprockets) using either the Basic Film Carrier 35 MK2 or Pro Film Carrier 35 MK2. This set includes everything needed to quickly switch out the standard 35mm scanning cassette.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRequires: \u003ca href=\"https:\/\/cinestillfilm.com\/products\/ns-basic-film-carrier-35-mk2\"\u003eBasic Film Carrier 35 MK2\u003c\/a\u003e or \u003ca href=\"https:\/\/cinestillfilm.com\/products\/ns-pro-film-carrier-35-mk2\"\u003ePro Film Carrier 35 MK2\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis cassette allows for custom width spacing allowing you to control the “drift” that was apparent on the guides from the previous Film Carrier MK1 and Basic Film Carrier 35. It also shows even more information than the previous designed guides. See sample scans below:\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFCMK2_FBCASSETTE_3_480x480.jpg?v=1691603297\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"Full Border 35mm Cassette","offer_id":42686180786348,"sku":"NS-35FBSC","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFCMK2_FBCASSETTE_1_6bdfb198-be85-4a17-bead-0aa18ebde014.jpg?v=1729024541"},{"product_id":"ns-basic-film-carrier-35-120-mk2-combo","title":"Basic Film Carrier 35\/120 MK2 Combo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntroducing the \u003cstrong\u003eNegative Supply Basic Film Carrier 35\/120 MK2 Combo\u003c\/strong\u003e. The perfect starting point for scanning cut strips or full rolls of 35mm and 120 film quickly, easily, and affordably whether you’re at home, on the go, or in the studio! Simply add a light source and copy stand or tripod, and you’re ready to go!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIncluding both of the completely redesigned film carriers, the Basic Film Carrier 35 MK2 and Basic Film Carrier 120 MK2, this kit is perfect for someone who is just starting their film scanning journey, a DIY user who wants to get into the Negative Supply ecosystem, or if you own the previous MK1 carriers and want to upgrade.\u003c\/span\u003e\u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"Basic Film Carrier 35\/120 MK2 Combo","offer_id":42850821505196,"sku":"NS-BFCMK2C","price":149.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFCMK2C_1_ee8b833b-7beb-427f-9365-a8e20c1027a8.jpg?v=1729024535"},{"product_id":"enthusiast-kit-for-35mm-film-scanning-with-basic-riser-mk3","title":"35mm Enthusiast Kit with Basic Riser MK3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply 35mm Enthusiast Kit with Basic Riser MK3\u003c\/strong\u003e is perfect for beginners just getting into scanning their own 35mm at home with a digital camera. Offering the full line-up of the Negative Supply Basic MK2 line, the next generation of Negative Supply starts now.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic Riser MK3:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eWith a solid steel base, anodized aluminum central column, and design cues from the Pro Riser MK3, the new Basic Riser MK3 is a massive upgrade over the Basic Riser MK2. It is ideal for users looking to scan 35mm and 120 with nearly any camera and macro lens combination.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eUsing shared parts and processes from our Pro Film Carrier 35, the all-new Basic Film Carrier 35 MK2 offers superior film flatness to its predecessor and is capable of scanning all 35mm film formats including half frame, full frame (standard 35mm), and panoramic sizes in a single capture.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2 Stabilizing Mask:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThis accessory holds the Basic Film Carrier 35 MK2 firmly to the light source and helps mask extraneous light when scanning to ensure flare-free scans.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e4x5 Light Source Basic MK2 (99 CRI): \u003c\/strong\u003eCompact and bright, the 4x5 Light Source Basic MK2 is great for both color and B+W film. A high CRI ensures highly accurate colors.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eInline Power Switch for 4x5 Light Source Basic MK2 (99 CRI):\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThis accessory allows you to leave your light source plugged in and turn the light on and off via a toggle switch, preventing accidental movement of the light.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.\u003cbr\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"35mm","offer_id":42773641396396,"sku":"NS-E35KITMK3","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/EnthusiastKit_35_MK3_1.jpg?v=1729024545"},{"product_id":"ns-scanning-kit-enthusiast-for-35mm-120-and-4x5-film-scanning-with-basic-riser-xl","title":"Enthusiast Plus Kit for 35mm, 120, and 4x5 Film Scanning (with Basic Riser XL)","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply Enthusiast Plus Kit\u003c\/strong\u003e is perfect for dedicated multi-format (35mm, 120, \u0026amp; 4x5) photographers interested in getting into at-home digital camera film scanning. Offering the full line-up of the Negative Supply Basic MK2 line, the next generation of Negative Supply starts now.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic Riser XL: \u003c\/strong\u003eCombines upgrades from the Basic Riser MK3 (solid steel base, anodized aluminum central column) with a longer baseboard to allow for cameras with grips to be used and an even taller column to allow for a wider range of macro lenses for 4x5 scanning. This is ideal for users looking to scan 35mm and 120 with nearly any camera and macro lens combination and even 4x5 with up to a 90mm macro lens.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2: \u003c\/strong\u003eUsing shared parts and processes from our Pro Film Carrier 35, the all-new Basic Film Carrier 35 MK2 offers superior film flatness to its predecessor and is capable of scanning all 35mm film formats including half frame, full frame (standard 35mm), and panoramic sizes in a single capture.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2 Stabilizing Mask: \u003c\/strong\u003eThis accessory holds the Basic Film Carrier 35 MK2 firmly to the light source and helps mask extraneous light when scanning to ensure flare-free scans.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic Film Carrier 120 MK2: \u003c\/strong\u003e\u003cspan\u003eIncluded only in 35mm+120 variant\u003c\/span\u003e. Quickly and easily scan up to 6x9 negatives in a single capture. Guarantees film flatness with all-new interchangeable cassette with a double s-curve design, and includes masks for 6x4.5 up to 6x9.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBasic Film Carrier 120 MK2 Stabilizing Mask:\u003c\/strong\u003e This accessory holds the Basic Film Carrier 120 MK2 firmly to the light source and helps mask extraneous light when scanning and ensures a confident workflow.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic 4x5 Sheet Film Scanning Kit: \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis kit uses an adapter to mate the 4x5 Sheet Film Holder to the 4x5 Light Source Basic MK2 to offer a simple yet effective way to scan not only 4x5 film with borders but also single frames or short strips of other formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBasic Mounted Slide Scanning Kit: \u003c\/strong\u003eAdjustable for both modern and vintage slides, our Basic Mounted Slide Scanning Kit makes slide scanning a breeze.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e4x5 Light Source Basic MK2 (99 CRI): \u003c\/strong\u003eCompact and bright, the 4x5 Light Source Basic MK2 is great for both color and B+W film. A high CRI ensures highly accurate colors.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eInline Power Switch for 4x5 Light Source Basic MK2 (99 CRI): \u003c\/strong\u003eThis accessory allows you to leave your light source plugged in and turn the light on and off via a toggle switch, preventing accidental movement of the light.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"35mm+120+4x5","offer_id":42846469914796,"sku":"NS-EKIT45","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/EKIT45_3.jpg?v=1724097734"},{"product_id":"ns-basic-film-carrier-120-mk2","title":"Basic Film Carrier 120 MK2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eNegative Supply Basic Film Carrier 120 MK2\u003c\/strong\u003e is the transformative update to the original, and keeps your film flatter while adding various new features and abilities, all while maintaining a lower price. The design has been greatly simplified by eliminating the complex hinge mechanism that was cumbersome to use.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Basic Film Carrier 120 MK2 keeps your 120 medium format film completely flat by using the optimal length and depth measurements for an S-curve based on months of rigorous testing. This carrier builds on the modularity of the system by featuring an interchangeable, magnetically engaging format cassette, which requires no tools to swap out.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNegative Supply has listened to feedback and added interchangeable masks to this new carrier. Standard with every Basic Film Carrier 120 MK2 is an interchangeable mask set for 6x4.5, 6x6, 6x7, and 6x9 formats. Best results are achieved with the optional accessory Basic Film Carrier 120 MK2 Stabilizing Mask, which masks off excess light and securely mounts the carrier to any Negative Supply light source. \u003c\/p\u003e\n\u003c!-- notionvc: edeef5d1-7621-4700-a078-8f94888e111b --\u003e","brand":"Negative Supply","offers":[{"title":"120","offer_id":42817936064684,"sku":"NS-BFC120MK2","price":114.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFC120MK2_1_1_9150a0a2-ecb2-484b-b02a-b73413c98209.jpg?v=1729024551"},{"product_id":"ns-basic-film-carrier-120-mk2-stabilizing-mask","title":"Basic Film Carrier 120 MK2 Stabilizing Mask","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe \u003cstrong\u003eNegative Supply Basic Film Carrier 120 MK2 Stabilizing Mask\u003c\/strong\u003e is designed to seamlessly connect the Basic Film Carrier 120 MK2 to the 4x5 Light Source Basic, 4x5 Light Source Basic MK2, 4x5 Light Source Pro, and Light Source Mini, offering enhanced stability and masking off extraneous light when scanning your film for the highest quality results. \u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"For Basic Film Carrier 120 MK2","offer_id":42817980661932,"sku":"NS-BFC120SM","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFC120MK2-StabilizingMask_1.jpg?v=1722364200"},{"product_id":"ns-basic-riser-mk3","title":"Basic Riser MK3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eNegative Supply Basic Riser MK3 \u003c\/strong\u003eis the direct replacement for the Basic Riser MK2, offering added height, rigidity, and a more solid steel baseboard to \u003cmeta charset=\"utf-8\"\u003eprovide a more stable, rigid scanning workflow. \u003cmeta charset=\"utf-8\"\u003eThe head is similar to the one found on the Pro Riser MK3 with a secure mounting system that uses a t-handle to snug the camera down. A window on the side of the head gives easy access to the 1\/4-20 mounting point and a locking screw on the back of the head to keep it at the set height. \u003cmeta charset=\"utf-8\"\u003eThe silver anodized column quickly attaches to the black powder coated, solid steel base with stainless steel hardware. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned to support nearly all popular camera and macro lens combinations, from compact mirrorless cameras all the way to most digital medium format cameras, the Basic Riser MK3 is a supremely capable copy stand. With a maximum riser height of 23in, it s capable of scanning 4x5 with up to ~70mm full frame equivalent focal lengths, 120 film with over 100mm full frame equivalent focal lengths and 35mm film with nearly any macro lens. \u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"Basic Riser MK3","offer_id":42820439310508,"sku":"NS-BRISERMK3","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Basic_Riser_MK3_4_296fe4ba-53c8-47e3-b7b0-799552d2323a.jpg?v=1729024530"},{"product_id":"4x5-light-source-basic-mk2-97-cri","title":"4x5 Light Source Basic MK2 (97 CRI)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNegative Supply 4x5 Light Source Basic MK2 (97 CRI)\u003c\/strong\u003e is part of the second generation of light sources from Negative Supply, meant to replace the original 4x5 Light Source Basic. Designed with 35mm, 120 and 4x5 film in mind, the 4x5 Light Source Basic MK2 is created for users that need a bright, reliable light source with perfect light uniformity across the entire surface. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the improvements over the previous model are a custom in-house designed and finished acrylic surface that increases brightness (2x brighter), an improved carbon composite housing, and more even illumination that guarantees no light falloff when scanning 4x5 film. It is backwards compatibility with all Negative Supply accessories designed for the original \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4x5 Light Source Basic.\u003c\/span\u003e\u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"97 CRI","offer_id":42818333212844,"sku":"NS-45BL97M2","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/45MK297CRI_1_12703f66-fe75-4707-b400-743950ec8e57.jpg?v=1729024512"},{"product_id":"ns-pro-film-carrier-35-mk2","title":"Pro Film Carrier 35 MK2","description":"\u003cp class=\"\"\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe \u003cstrong\u003eNegative Supply Pro Film Carrier 35 MK2\u003c\/strong\u003e is the most advanced 35mm film scanning carrier on the market, capable of scanning all 35mm formats including half frame, full frame (standard 35mm), and panoramic sizes (X-Pan, Widlelux) in a single capture \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ewith included custom masks \u003c\/span\u003ewhile maximizing film flatness\u003cstrong\u003e.\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003ePart of the next generation of Negative Supply's Pro line, the Pro Film Carrier 35 MK2's housing is machined from solid aluminum for ultimate durability and reliability. It \u003c\/span\u003e\u003cspan\u003eintroduces many upgrades that have been requested by users since the inception of the company, namely\u003c\/span\u003e interchangeable film format cassettes and roller modules. Currently, Negative Supply offers cassettes and roller modules for 35mm (half frame and panoramic included), 35mm full border, 110, APS, 126, and Minox subminiature formats with more on the way including 8mm and Super8. \u003c\/p\u003e\n\u003cp\u003eThe optional \u003cstrong\u003ePro Film Carrier 35 MK2 + Pro Mount MK2 kit\u003c\/strong\u003e (select from \"Type\" drop-down menu) pairs the Pro Film Carrier 35 MK2 with one of the core Pro accessories, the Pro Mount MK2. This kit will allow you to level out your film scanning plane when you’re working on an uneven surface and adds an anti-static dust brush that your film passes through before being scanned.\u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eRecommended Accessories:\u003c\/h1\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/scanning-finishing\/_light-sources+brand_negative-supply\"\u003eLight Source\/LED Panel\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eThe light source is one of the most important things when creating a camera scanning setup. Consistent light creates evenly lit images, and full spectrum light allows for great color correction. Chances are, if your light source isn’t high CRI or has dips in the spectrum, your colors will be very hard to correct. There are many light panel options out there, but the very best offer consistent, full spectrum light with a brightness high enough to capture images at moderate shutter speeds. \u003c\/p\u003e\n\u003cdiv data-aspect-ratio=\"0.08620689655172414\" data-block-type=\"21\" id=\"block-1e834b58fc3f4c90c180\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1585870320464_1508\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_10112\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/scanning-finishing\/_camera-stands+brand_negative-supply\"\u003eCamera Stand\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eFor great scans, you'll need to mount your camera to a sturdy support. The Negative Supply Riser line offers several camera stands of different sizes to best fit your camera weight and film format, and feature lead-screw height adjustment for quickly and easily raising and lowering the camera. Because of this adjustment option, it is impossible for your camera to “fall” or “descend uncontrollably” into your workpiece.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-aspect-ratio=\"0.08620689655172414\" data-block-type=\"21\" id=\"block-3eb24e5dd948e8025069\"\u003e\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"35mm","offer_id":43070804590764,"sku":"NS-PRO35MK2","price":299.0,"currency_code":"USD","in_stock":false},{"title":"Pro Film Carrier 35 MK2 + Pro Mount MK2","offer_id":46248288288940,"sku":"NS-PRO35MK2PMK","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Pro35_FilmCarrier_MK2_1.jpg?v=1729024518"},{"product_id":"ns-pro-film-carrier-120-mk2","title":"Pro Film Carrier 120 MK2","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe \u003cstrong\u003eNegative Supply Pro Film Carrier 120 MK2 \u003c\/strong\u003eis the ground-up redesign of the Pro Film Carrier 120, boasting a wide array of unique features and new functionality at the same price. The previous design has been greatly simplified eliminating the complex hinge mechanism and opting for a newly designed s-curve film track. Developed over months of rigorous testing to determine the optimal measurements, it keeps your medium format film completely flat and stable during scanning.\u003c\/p\u003e\n\u003cp\u003eThe Pro Film Carrier 120 MK2 builds on the modularity of Negative Supply system by not only featuring an interchangeable, magnetically-engaging film cassette, but also an interchangeable roller module for additional formats just like the newly revised \u003ca href=\"https:\/\/cinestillfilm.com\/products\/ns-pro-film-carrier-120-mk2\"\u003ePro Film Carrier 35 MK2\u003c\/a\u003e. Standard with every Pro Film Carrier 120 MK2 is an interchangeable mask set for 6x4.5, 6x6, 6x7, and 6x9cm formats. This product will be compatible with dozens of other larger than 35mm film formats with film advancing capability in the near future! The all-new Pro Film Carrier 120 MK2 is the new benchmark for film photographers.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe optional \u003cstrong\u003ePro Film Carrier 120 MK2 + Pro Mount MK2 \u003c\/strong\u003e(select from \"Type\" drop-down menu) pairs the Pro Film Carrier 120 MK2 with one of the core Pro accessories, the Pro Mount MK2. This kit will allow you to level out your film scanning plane when you’re working on an uneven surface and adds an anti-static dust brush that your film passes through before being scanned.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eRecommended Accessories:\u003c\/h1\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/scanning-finishing\/_light-sources+brand_negative-supply\"\u003eLight Source\/LED Panel\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eThe light source is one of the most important things when creating a camera scanning setup. Consistent light creates evenly lit images, and full spectrum light allows for great color correction. Chances are, if your light source isn’t high CRI or has dips in the spectrum, your colors will be very hard to correct. There are many light panel options out there, but the very best offer consistent, full spectrum light with a brightness high enough to capture images at moderate shutter speeds. \u003c\/p\u003e\n\u003cdiv data-aspect-ratio=\"0.08620689655172414\" data-block-type=\"21\" id=\"block-1e834b58fc3f4c90c180\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1585870320464_1508\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_10112\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/scanning-finishing\/_camera-stands+brand_negative-supply\"\u003eCamera Stand\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eFor great scans, you'll need to mount your camera to a sturdy support. The Negative Supply Riser line offers several camera stands of different sizes to best fit your camera weight and film format, and feature lead-screw height adjustment for quickly and easily raising and lowering the camera. Because of this adjustment option, it is impossible for your camera to “fall” or “descend uncontrollably” into your workpiece.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-aspect-ratio=\"0.08620689655172414\" data-block-type=\"21\" id=\"block-3eb24e5dd948e8025069\"\u003e\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Negative Supply","offers":[{"title":"Pro Film Carrier 120 MK2","offer_id":43460944265388,"sku":"NS-PRO120MK2","price":399.0,"currency_code":"USD","in_stock":true},{"title":"Pro Film Carrier 120 MK2 + Pro Mount MK2","offer_id":46248296710316,"sku":"NS-PRO120MK2PMK","price":749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NegativeSupply_ProFilmCarrier120_MK2_1.jpg?v=1722364192"},{"product_id":"120-full-boarder-scanning-cassette-for-basic-and-pro-film-carriers-mk2","title":"120 Full Border Scanning Cassette for Basic and Pro Film Carriers MK2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less).\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eScanning the full border of your medium format film is something many have wanted to do for some time, but it’s difficult to do while holding your film flat and while avoiding costly drum scans or finicky flatbed scanning solutions. The \u003cstrong\u003e120 Full Border Scanning Cassette for Basic and Pro Film Carriers MK2\u003c\/strong\u003e allows users to scan with full borders (out to the very edge) with their Basic Film Carrier 120 MK2 or Pro Film Carrier 120 MK2. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis all-new, custom designed film scanning cassette shows 100% of the 120\/220 film image area + border, including film stock information and frame number. An in-house finished micro-etched optical scanning acrylic ensure optimal film flatness, and a double S curve design further aligns and flattens the fiIm for professional results, every time. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eRequires: Basic Film Carrier 120 MK2 or carriers that use the same cassette system such as Pro Film Carrier 120 MK2. Not compatible with previous 120 carrier models, such as Basic Film Carrier 120 or Film Carrier 120.\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Negative Supply","offers":[{"title":"Full Border 120","offer_id":43461008097452,"sku":"NS-120FBSC","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NegativeSupply_Pro120_Fullborder_1.jpg?v=1722364179"},{"product_id":"essential-kit-for-35mm-film-scanning-with-basic-riser-mini-mk3","title":"Essential Kit for 35mm Film Scanning with Basic Riser Mini MK3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt the core of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNegative Supply Essential Kit for 35mm Film Scanning\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e(2025 version) is the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/ns-basic-film-carrier-35-mk2\" target=\"_blank\" rel=\"noopener\"\u003eBasic Film Carrier 35 MK2\u003c\/a\u003e, which offers superior film flatness and is capable of scanning all 35mm film formats including half frame, full frame (standard 35mm), and panoramic sizes in a single capture. Not only does the BFC 35 MK2 support all standard 35mm formats, but is also capable of holding 110, 126, APS and Minox films with optional internal cassettes. It also supports full border scanning with the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eoptional\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/35mm-full-border-scanning-cassette-for-basic-film-carrier-35-mk2\" target=\"_blank\" rel=\"noopener\"\u003eFull Border Scanning Cassette\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(not included).\u003c\/p\u003e\n\u003cp\u003eThe all-new Light Source 35 is an ultra bright light source capable of illuminating up to 35mm film with perfect uniformity and a high 97+ CRI rating for high color accuracy. Also included is a Light Source 35 Adapter Plate for the BFC 35 MK2 to keep the carrier firmly attached to the light source, ensuring confident workflow.\u003c\/p\u003e\n\u003cp\u003eMost importantly, the latest Essential Kit for 35mm Film Scanning includes the all-new Basic Riser Mini MK3. With an upgraded column that is larger to accommodate standard DSLRs and Mirrorless cameras. \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eINCLUDES:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBasic Riser Mini MK3\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBasic Film Carrier 35 MK2\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLight Source 35 Adapter for Basic Film Carrier 35 MK2\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLight Source 35 (with USB power supply)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Negative Supply","offers":[{"title":"35mm","offer_id":44345687605420,"sku":"NS-E35KITMK2","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Essential_35_Kit_MK2_1.jpg?v=1746040661"},{"product_id":"ns-scanning-kit-premium-35mm","title":"Premium Kit 35mm","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply Premium Kit 35mm\u003c\/strong\u003e is \u003c\/span\u003eback due to high demand and combines essential, high-quality tools to allow you to scan 35mm strips or rolls as well as mounted slides\/transparencies at home or in studio with DSLR or mirrorless cameras.\u003cbr\u003e\u003cbr\u003eAt the core of this kit is the Pro Film Carrier 35 MK2, the latest and most advanced film carrier for 35mm rolls or strips of film. This carrier works with all conventional 35mm film formats with its included masks for half frame, standard frame, and panoramic\/Xpan formats.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eIncludes\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePro Film Carrier 35 MK2:\u003c\/strong\u003e the most advanced 35mm film scanning carrier on the market, capable of scanning all 35mm formats including half frame, full frame (standard 35mm), and panoramic sizes (X-Pan, Widlelux) in a single capture with included custom masks while maximizing film flatness.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBasic Mounted Slide Scanning Kit: \u003c\/strong\u003eAdjustable for both modern and vintage slides, it makes slide scanning a breeze. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLight Source Mini: \u003c\/strong\u003ePerfect for users who only scan 35mm and 120 film, and need a very bright, color accurate (97 CRI) light source that’s built to last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-Line Power Switch:\u003c\/strong\u003e This accessory allows you to leave your light source plugged in and turn the light on and off via a toggle switch, preventing accidental movement of the light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBasic Riser XL:\u003c\/strong\u003e Combines upgrades from the Basic Riser MK3 (solid steel base, anodized aluminum central column) with a longer baseboard to allow for cameras with grips to be used and an even taller column to allow for a wider range of macro lenses for 4x5 scanning. This is ideal for users looking to scan 35mm and 120 with nearly any camera and macro lens combination and even 4x5 with up to a 90mm macro lens.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePro Film Carrier 35 MK2 Adapter Plate for Light Source: \u003c\/strong\u003eAllows you to seamlessly mount your Pro Film Carrier 35 MK2 to mask off all extraneous light coming from the light below. It also stabilizes the carrier on the light source. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e35mm Full Border Scanning Cassette:\u003c\/strong\u003e Allows users to scan with full borders (including sprockets) using either the Basic Film Carrier 35 MK2 or Pro Film Carrier 35 MK2. This set includes everything needed to quickly switch out the standard 35mm scanning cassette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e35mm Film Scanning Hood: \u003c\/strong\u003eSecurely mounts to the Pro Film Carrier 35 MK2 to reduce glare from overhead lights or windows, allowing for cleaner, higher quality scans.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"Premium Kit 35mm","offer_id":44999704936620,"sku":"NS-PR35SKITM2","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NS-PR35SKITM2-1.jpg?v=1763478599"},{"product_id":"ns-scanning-kit-simple-35mm","title":"Simple 35 Film Scanning System","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply Simple 35 Film Scanning System\u003c\/strong\u003e is the company's most affordable starting point for scanning cut strips or full rolls of 35mm film quickly \u0026amp; easily whether you’re at home, on the go, or in the studio.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eIncludes\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2:\u003c\/strong\u003e offers superior film flatness and is capable of scanning all 35mm film formats including half frame, full frame (standard 35mm), and panoramic sizes in a single capture.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLight Source 35 with Power Supply: \u003c\/strong\u003ethe most compact light from Negative Supply, designed with 35mm in mind. This light source comes with a custom designed internal acrylic that drastically increases brightness, improves CRI rating, and boasts perfect light uniformity for 35mm film. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2 Stabilizing Mask:\u003c\/strong\u003e designed to seamlessly connect the Basic Film Carrier 35 MK2 to Light Source 35, offering greater stability and masking off extraneous light when scanning your film.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"Simple 35 Kit","offer_id":45009220731052,"sku":"NS-S35S","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NS-S35S-1.jpg?v=1763478770"},{"product_id":"ns-basic-4x5-sheet-film-scanning-kit-with-acrylic","title":"Basic 4x5 Sheet Film Scanning Kit (with Acrylic)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScanning 4x5 inch sheet film has always been time consuming with flatbed scanners and very expensive with drum scanning options. The \u003cstrong\u003eNegative Supply Basic 4x5 Sheet Film Scanning Kit\u003c\/strong\u003e provides a cost effective and high quality method to scan 4x5 film at home in conjunction with any of Negative Supply's 4x5 light sources (not included). This kit can also be used to scan short strips or single frames of 35mm or 120 film, for which the 35mm and 120 film carriers are not optimized.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cbr\u003eIncludes:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e4x5 Film Holder\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e2x sheets of 4.25 x 5.25 micro-etched acrylic\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e4x5 Film Holder Adapter, compatible with the 4x5 Light Source Basic, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/4x5-light-source-basic-mk2-97-cri?_pos=7\u0026amp;_sid=7d92c467e\u0026amp;_ss=r\"\u003e4x5 Light Source Basic MK2\u003c\/a\u003e, and 4x5 Light Source Pro (light source not included in kit)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are several plugins and standalone programs for converting digitally captured negatives into positive images. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Negative Supply","offers":[{"title":"4x5","offer_id":46248320696492,"sku":"NS-B45HLDRA","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NS-B45HLDRA.jpg?v=1778704840"},{"product_id":"ns-pro-film-carrier-4x5-adapter-plate-for-light-source","title":"Pro Film Carrier 4x5 Adapter Plate for Light Source","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe \u003cstrong\u003eNegative Supply Pro Film Carrier 4x5 Adapter Plate for Light Source \u003c\/strong\u003eis designed to seamlessly connect the Pro Film Carrier 4x5 to either the 4x5 Light Source Basic MK2 or 4x5 Light Source Pro. The Pro Film Carrier 4x5 Adapter Plate is a friction fit adapter designed specifically for the Pro Film Carrier 4x5.\u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e\n\u003cbr\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThere are several plugins and standalone programs for converting digitally captured negatives into positive images. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Negative Supply","offers":[{"title":"Adapter Plate","offer_id":46251518820524,"sku":"NS-P45PLAP","price":49.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NS-PRO45-ADAPTER-PLATE.jpg?v=1778859764"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/collections\/Screen_Shot_2019-09-03_at_5.57.00_PM.png?v=1587594355","url":"https:\/\/cinestill.film\/collections\/negative-supply\/_film-holders+_archiving.oembed","provider":"CineStill Film","version":"1.0","type":"link"}