{"title":"CineStill Lab Supplies","description":"","products":[{"product_id":"cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry","title":"Cs41 \"Color Simplified\" 2-Bath Kit","description":"\u003cp\u003e\u003cstrong\u003eProcessing ANY color negative film at home is easy with these 2 simple chemistry mixtures. No special equipment needed!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProcessing your own color film doesn't have to be complicated or expensive! These two bath processing kits can be used at a variety of temperatures with the same equipment you already process your black and white film with at home. No darkroom or automated processor required! \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eIf you already process your own black and white film, with this kit, there is no reason not to process C-41 color negative film at home as well! It is specially formulated without compromise for modern color films, not requiring a stabilizer bath. Modern emulsions were designed so that one-hour photo labs wouldn't need haz-mat training for formaldehyde, and have built-in dye stabilizers and hardeners that are released through this simplified 2-bath process. You can have beautifully developed, bleached and fixed color negatives, ready to scan or print. All you need is water, a thermometer and any simple tank and reel system! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" (ORM-D) and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/em\u003e\u003cem\u003e\"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41_Liquid_Insrructions.pdf?v=1591402967\" title=\"Cs41 Complete Instructions\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs41 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?v=1679586212\"\u003e\u003cstrong\u003eDownload Cs41 Powder Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Color_Simplified_2-Bath_C-41_Quart_Kit_Safety_DataSheet.pdf?v=1757447096\"\u003e\u003cstrong\u003eDownload Cs41 Quart Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Color_Simplified_2-Bath_C-41_Powder_Kit_Safety_DataSheet.pdf?v=1757446706\"\u003e\u003cstrong\u003eDownload Cs41 Powder Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Liquid Concentrate \/ 1000ml\/Quart (24 rolls)","offer_id":30376678593,"sku":"Cs41-quart","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Powder Concentrate \/ 1000ml\/Quart (24 rolls)","offer_id":15996175810594,"sku":"Cs41-P-1000ml","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Powder Concentrate \/ 500ml\/Pint (12 rolls)","offer_id":42235824472236,"sku":"Cs41-P-500ml","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD04259-Edit_fab0007c-9f32-4304-9355-1eedf77ce98d.jpg?v=1737065909"},{"product_id":"df96-developer-fix-b-w-monobath-single-step-solution-for-processing-at-home","title":"Df96 “Developer\u0026Fix” B\u0026W Monobath","description":"\u003cp\u003e\u003cem\u003eThe tried and true Df96 Monobath formula is now available in lightweight powder form, for economical shipping, indefinite shelf-life and home processing simplicity! Still the same motion picture quality solution that guarantees high-resolution, fine grain, a long density scale, and uniform development latitude. Now formulated for mail-order efficiency! \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFor Simplified B\u0026amp;W Processing At Any Room Temperature. \u003c\/b\u003e\u003cstrong\u003e68\u003cspan\u003e-82\u003c\/span\u003e\u003cspan\u003e°F (20-28°C)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eProcesses: 16+ rolls of B\u0026amp;W film with 1 liter of just one chemical. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe worries of too much development, dilution, time or agitation are gone. Stop bath? Fixer? Hardener? Gone the way of One-Hour-Photos and formaldehyde. Meet the labtender’s best friend, served neat. It may be clear and odorless but please do not drink it. ☠️😵👨🏻🔬\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe single-step solution is now available in powder concentrate or ready-to-use liquid. \u003c\/span\u003eProcessing all of your B\u0026amp;W film at home is easier than ever with this magical and versatile Single-Step BW “Developer-Fix” monobath solution, akin to D96 motion picture developer but with no need for stop bath, fixer, or any other chemicals, is perfect for processing CineStill BwXX along with any other black \u0026amp; white film. \u003cspan\u003eNo special charts, timers or apps needed! Just a processing tank and water. Fool-proof, self-completing process that guarantees motion picture quality, the smoothest grain structure and crisp tonal curve. Flexible processing in 3-6 minutes at any room temperature (70-80F). Just wash with water and hang to dry. No more complicated measurements or strict margins to deal with. Process all your black and white films in one chemical with absolutely wonderful results!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jwaK_NaDCCg\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch1\u003eProcess all B\u0026amp;W Film:\u003c\/h1\u003e\n\u003cp\u003eDf96 monobath easily processes any standard black and white film at its native ISO. It is designed with traditional cubic-grain emulsions in mind, like BwXX, TriX and HP5, with high silver content. Tabular grain films with color dye technology, like Tmax, also work well but require double the processing time to clear, and may come out of the bath with pink\/purple dyes in the emulsion. This is normal and will fade away. High speed films such as P3200 and Delta3200 can be processed at their native ISOs between 1000-1600 by the instructions on the label, or pushed to 3200 by adding 10°F \u003cspan\u003e(6\u003c\/span\u003e\u003cspan\u003e°C)\u003c\/span\u003e. All films can be pushed or pulled by adjusting temp. +\/-10°F \u003cspan\u003e(6\u003c\/span\u003e\u003cspan\u003e°C)\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\"\u003eFilm rating chart for Df96: \u003c\/h2\u003e\n\u003cp\u003e(Box speeds in bold)\u003c\/p\u003e\n\u003ctable cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003e FILM TYPE\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003ePULL 65-70°F \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e(18-21°C) +1MIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eNORMAL 70-80°F \u003cbr\u003e(21-27°C)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003ePUSH 80-90°F \u003cbr\u003e(27-32°C)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfBwXX.jpeg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eCineStill BwXX\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100-125 \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200-400 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500-800 \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfTriX-400.jpeg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eKodak Tri-X\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfTMX100.jpg?7161606786470015405\" target=\"_blank\"\u003eKodak Tmax 100\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfTMY400.jpg?7161606786470015405\" target=\"_blank\"\u003eKodak Tmax 400\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfp3200-1600.jpg?7161606786470015405\" target=\"_blank\"\u003eKodak Tmax P3200\u003c\/a\u003e**\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 1000 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 1600 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 3200 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eKodak Plus-X\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50-60\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100-125 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200-250\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfFP4.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cstrong\u003eIlford FP4 Plus\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 60\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 125 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 250\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfHP5.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eIlford HP5 Plus \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfd100.jpg?7161606786470015405\" target=\"_blank\"\u003eIlford Delta 100\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfd400.jpg?7161606786470015405\" target=\"_blank\"\u003eIlford Delta 400\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfd3200-1000.jpg?7161606786470015405\" target=\"_blank\"\u003eIlford Delta 3200\u003c\/a\u003e**\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 1000-1600 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 2000-3200 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfPanF50.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cstrong\u003eIlford Pan F Plus\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 50\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfJCH-200.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eJCH Street Pan\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfSilverMax.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eAdox Silvermax\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eAdox CHS 100 II\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 50-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfK100.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cstrong\u003eKentmere 100\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 160\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfK400.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cstrong\u003eKentmere 400\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 160-200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 250-400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500-800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfRPX25.jpg?5845680368084275505\" target=\"_blank\"\u003eRollei RPX 25\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 12\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 25\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfrpx100.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eRollei RPX 100\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eRollei RPX 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfr80s.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eRollei Retro 80S\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 12\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfRetro400s.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eRollei Retro 400S\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eFoma RETROPAN 320 \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 80-125\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200-320\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400-500\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfoma100.jpg?7808221844721380221\" target=\"_blank\"\u003e\u003cb\u003eFoma Fomapan 100 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfF200.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cb\u003eFoma Fomapan 200 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfoma400.jpg?7808221844721380221\" target=\"_blank\"\u003e\u003cb\u003eFoma Fomapan 400 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfBerggerPancro400.jpg?5845680368084275505\" target=\"_blank\"\u003eBergger Pancro\u003c\/a\u003e***\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200 \u003cspan\u003e(3x min)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 320-400 (3x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500-800 \u003cspan\u003e(3x min)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfedu400.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eArista EDU Ultra 400 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfedu200.jpg?11336862127770967490\" target=\"_blank\"\u003e\u003cstrong\u003eArista EDU Ultra 200\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfedu100.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eArista EDU Ultra 100\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cem\u003e\u003cstrong\u003e*\u003c\/strong\u003eTabular grain films with color dye technology, like Tmax or Delta, require double the processing time on the label to clear, and may come out of the bath with pink\/purple dyes in the emulsion. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cem\u003e\u003cstrong\u003e**\u003c\/strong\u003eHigh speed films like P3200 and Delta3200 can be processed at their native ISO between 1000-1600 by the instructions on the label. These are designed to be pushed to 3200 by adding 10°F (6°C). All films can be pushed or pulled by adjusting temp. +\/-10°F (6°C) per stop.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003ci\u003e\u003cstrong\u003e***\u003c\/strong\u003eBergger Pancro requires at least double the processing time and the \u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003emanufacturer calls for additional steps\u003c\/a\u003e to the traditional developer-stop-fix process.\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch2\u003eProcessing Methods for \u003cspan\u003eDf96: \u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_instructions.pdf?10407520513295392991\" title=\"Download Df96 Instructions\" target=\"_blank\"\u003eDownload Df96 Complete PDF Instructions\u003cbr\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eDevelopment is increased more than fixing by temperature. Fixing and completion is accelerated by agitation, while decreasing development. Processing over 82°F (28°C) will result in pushed negatives with higher contrast and more pronounced grain. Below 68°F (20°C) renders pulled contrast negatives  \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e*Temp tolerance is +\/-2°F (1°C) and times are minimum. Feel free to extend processing time to ensure full fixing of film or removal of color dyes. Time does not affect development.\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eNative ISO development:\u003c\/strong\u003e \u003c\/div\u003e\n\u003cp\u003e80°F (27°C) for at least 3 min • Constant agitation\u003cbr\u003e75°F (24°C) for at least 4 min. • Intermittent agitation\u003cbr\u003e70°F (21°C) for at least 6 min. • Minimal agitation\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003ePush +1 development:\u003cbr\u003e\u003c\/strong\u003e80°F (27°C) for at least 6 min. • Minimal agitation\u003cbr\u003e85°F (30°C) for at least 4 min • Intermittent agitation\u003cbr\u003e90°F (32°C) for at least 3 min • Constant agitation\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePull -1 development:\u003c\/strong\u003e\u003cbr\u003e70°F (21°C) for at least 4 min • Constant agitation\u003cbr\u003e65°F (18°C) for at least 6 min • Intermittent agitation\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3200 speed BW films:\u003c\/strong\u003e\u003cbr\u003eAbove 90°F (32°C) for at least 4 min • Intermittent agitation\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAGITATION METHODS:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAgitation helps create evenly developed exposures, and prevents over-processed, under-fixed negatives.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstant agitation:\u003cbr\u003e\u003c\/strong\u003eFluid inversions and\/or rotations, while changing direction.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eIntermittent agitation:\u003c\/strong\u003e\u003cbr\u003e30 sec constant agitation, then 10 sec every min. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimal agitation:\u003c\/strong\u003e\u003cbr\u003e10 sec gentile agitation, then 5 sec every min.\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *Bromide drag lines can occur if left to stand for any more than 1 min.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFULLY ARCHIVAL PROCESSING:\u003c\/h3\u003e\n\u003cp\u003eFor any processed film to be fully archival only two things need to occur. Full removal (fixing) of undeveloped silver halide, and removal (washing) of processing chemicals from the film. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchival fixing\u003c\/strong\u003e occurs in 3-6 minutes with fresh Df96. Feel free to extend processing times to ensure full clearing of film, as it will not affect development. Df96 uses one of the the most effective archival fixing agents and should produce fully archival negatives when processing instructions are followed. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchival washing\u003c\/strong\u003e occurs at room temperature under running water for 5 min, or fill and empty tank at least 10 times. Washing time after Df96 processing is exceedingly rapid because the solution is alkaline. No more than five minutes is needed for a wash to archival standards. A longer final rinse and rinse aid will help ensure archival negatives. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor minimal water usage:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• After negatives are fully fixed, fill the tank with water at the same temperature +\/-10°F \u003cspan\u003e(6\u003c\/span\u003e\u003cspan\u003e°C)\u003c\/span\u003e as the processing solutions. Invert the tank 5 times.\u003c\/p\u003e\n\u003cp\u003e• Drain the water away and refill. Invert the tank 10 times.\u003c\/p\u003e\n\u003cp\u003e• Once more, drain the water. Invert the tank twenty times and drain the water away.\u003c\/p\u003e\n\u003cp\u003e• Then rinse one final time, optionally with a few drops of Wetting Agent added to the rinse water, distilled water helps prevent hard water spots.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eChemical reuse:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCan process 16+ rolls of film.\u003c\/strong\u003e Simply recombine used chemistry and add +15sec. for each roll previously processed until you reach 8 min. If a film does not appear fully cleared, process for longer in Df96. I\u003cspan\u003et will not affect development.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eChemistry\u003c\/b\u003e\u003cstrong\u003e lifespan:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003eExpected shelf life for mixed chemistry is 1 year in a sealed bottle, and once used should be reused within 2 months. Film will still finish processing as chemicals age but will eventually produce thin negatives when developer is exhausted. Store in a tightly capped, full container.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhaustion indication:\u003cbr\u003e\u003c\/strong\u003eAs chemicals \u003cspan\u003eexhaust\u003c\/span\u003e they will start to yellow and turn dark amber when perished. Oxygen and contaminants cause developing agents to perish. Depending on silver and dye content of film types, you should be able to continue reusing until you reach an unacceptable processing time. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimple quality control:\u003cbr\u003e\u003c\/strong\u003eBefore reusing opened chemicals it is a best practice to do a daylight snip test. Cut off light struck film from a 35mm leader tongue and process in a cup with a small amount of Df96. The test should come out opaque black to guarantee quality. You can save the snippet to compare to future tests. If the test comes out thin, you can increase temperature and retest, or retire chemistry if transparent.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eExceptions to the rules:\u003c\/h2\u003e\n\u003cp\u003eA couple craft films and surveillance films, which require longer times in standard developers to achieve box speed, will yield a lower native ISO. For example, \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfr80s.jpg?7161606786470015405\" target=\"_blank\"\u003eRollei Retro 80s\u003c\/a\u003e, with it’s impressively fine grain and low contrast, is best rated at ISO 25, and \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfJCH-200.jpg?7161606786470015405\" target=\"_blank\"\u003eJCH Street Pan\u003c\/a\u003e really shines at ISO 200.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.adox.de\/Photo\/adox-films-2\/cms-20-ii-adotech-ii\/\" target=\"_blank\"\u003eAdox CMS 20 II\u003c\/a\u003e can produce the sharpest, highest resolving, most fine grained images in the world, but it \u003cem\u003e\"...achieves 20 ASA of usable speed in \u003ca href=\"http:\/\/www.adox.de\/Photo\/adox-films-2\/cms-20-ii-adotech-ii\/\" target=\"_blank\"\u003eADOTECH\u003c\/a\u003e developer... If developed in non dedicated low contrast developers (HC 110, cafenol, etc) it can be exposed at \u003cspan style=\"text-decoration: underline;\"\u003e3 to 6 ASA.\"\u003c\/span\u003e\u003c\/em\u003e - from \u003ca href=\"http:\/\/www.adox.de\/Photo\/adox-films-2\/cms-20-ii-adotech-ii\/\" target=\"_blank\"\u003eadox.de\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003eBergger Pancro 400\u003c\/a\u003e requires double the processing time in order to break down the intense \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eanti-halation\u003c\/span\u003e layer, and even \u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003ecalls for an additional steps\u003c\/a\u003e to standard-multi bath processing. \u003ci\u003e\"...the film must be presoaked in water for 5 minutes, at one degree warmer than developer.\" \"BERGGER PANCRO 400 needs a longer the usual fixing time. In rapid, non hardening fixer...for 6 minutes.\" \"A rinse in a sulphite bath (10 %) will allow to eliminate the chemicals complexes...and also allow the full dissolution of the anti-halation layer.\" \u003c\/i\u003e- from \u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003ebergger.com\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eMore about processing with Df96: \u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Df96_instructions_Instructions_Complete.pdf?14374404616962145803\" title=\"Download Df96 Instructions\" target=\"_blank\"\u003eDownload Df96 Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/16-different-rolls-of-b-w-film-in-just-one-bath\" target=\"_blank\"\u003eProcessing 16+ Different B\u0026amp;W Films With Just One Chemical! Df96\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-df96-compared-to-the-most-popular-standard-developers\" target=\"_blank\"\u003eNo Compromises - Df96 compared with popular traditional developers\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/youtu.be\/yIawo8UF07Q?si=qwQrWNAMPs6Rb8-L\" target=\"_blank\"\u003e\u003cstrong\u003ePushing and Pulling with Df96\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/20260402_CINESTILL_Df96_B_W_Developer_Fix_MONOBATH_Single-Step.pdf?v=1775262431\" title=\"CineStill Df96 Monobath SDS\" target=\"_blank\"\u003eDownload Df96 Liquid Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Df96_Monobath_Powder_SDS.pdf?v=1742227340\" title=\"CineStill Df96 Powder Monobath SDS\" target=\"_blank\"\u003eDownload Df96 Powder Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003ePhotochemical Waste Management\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Ready-To-Use Liquid \/ 1000ml\/Quart (16+ rolls)","offer_id":7367677247522,"sku":"Df96-1000ml","price":19.99,"currency_code":"USD","in_stock":true},{"title":"Ready-To-Use Liquid \/ 530ml\/18oz (8+ rolls)","offer_id":31663146205258,"sku":"Df96-540ml","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Powder Concentrate \/ 1000ml\/Quart (16+ rolls)","offer_id":16000208044066,"sku":"Df96-P-1000ml","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Df96Monobath_aeaefa0a-d41d-4771-a221-376b4093c966.jpg?v=1736806649"},{"product_id":"df96-funnel-with-filter","title":"Filter Funnel","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cstrong\u003eCineStill Filter Funnel with Stainless Steel Mesh Filter\u003c\/strong\u003e is a plastic chemistry funnel made from durable polyethylene with a filter made from stainless steel. It filters out particulate contaminants from photographic chemistry. The funnel is intended to be used with the CineStill Wide Mouth Storage Bottles but the tapering stem allows it to fit into narrower chemistry bottles as well. The stainless sieve can be removed for washing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDiameter: 150 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLength: 180 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStem-Diameter starts at 20mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Funnel","offer_id":12628516732962,"sku":"Df96-funnel","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Fotoimpex_Trichter_Sieb_69f241ea-633a-432c-a8b0-e27d018ea000.jpg?v=1735683654"},{"product_id":"tcs-temp-collapsible-air-reduction-accordion-storage-bottle","title":"°Cs Collapsible Air Reduction Accordion Storage Bottle","description":"\u003cp\u003e\u003cspan\u003eCollapsible bottle for photographic chemicals. Heat conductive material keeps chemistry at the correct temperature with the TCS-1000 \u003ci\u003e\"Temperature Control System\".\u003c\/i\u003e Opaque plastic designed for storing darkroom chemistries that are sensitive to light and air. Accordion-like bottle with screw-on cap can be compressed allowing the volume of the bottle to be adapted to match the amount of liquid in it, which reduces the risk of oxidation. Chemicals stored in the bottle last longer when compared to conventional bottles. \u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml","offer_id":31524989960266,"sku":"TCS-1003","price":11.99,"currency_code":"USD","in_stock":true},{"title":"2000ml","offer_id":37911426531500,"sku":"TCS-1005","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/1441743754000_1148512_af92c8c4-71ca-493b-902c-115fa9db07be.jpg?v=1737041508"},{"product_id":"tcs-temp-wide-mouth-plastic-chemical-bottle-1000ml","title":"°Cs Wide-Mouth Plastic Chemical Bottle, 1000ml","description":"\u003cp\u003e\u003cspan\u003eThese bottles are made for storing your lab-chemicals. Because of the large opening, they are easy to fill. The plastic is manufactured in multiple layers which makes it nearly to nothing possible for chemicals to get out and air to get in. The closing caps are tight.\u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml","offer_id":12628591116322,"sku":"TCS-1004","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Weithals_Flasche_weiss_b7ba213f-b06c-44be-9a71-ba3f5fc993a3.jpg?v=1725661205"},{"product_id":"cinestill-film-changing-dark-bag","title":"Changing Bag","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eChanging bags are perfect for photographers who don't have access to a darkroom. This \u003cstrong\u003e27\" x 30\" \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eChanging Bag \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003efeatures internal and external zippers and elastic cuffs to ensure no light leaks. It can be used to \u003cmeta charset=\"utf-8\"\u003eload developing reels and film holders for daylight processing tanks, or to load 100ft spools of film into a bulk loader. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe large size provides plenty of space inside the bag for comfortable film loading. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Large 27x30 In.","offer_id":12631911661602,"sku":"kinghome-changing-bag-27x30","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD03816-Edit_c293e954-6592-4aa2-9077-a9d590ccabf2.jpg?v=1737475240"},{"product_id":"d96-bw-motion-picture-developer","title":"D96 B\u0026W Motion Picture Developer, Powder Concentrate","description":"\u003cp\u003eSophisticated developing with motion picture quality. The D96 formula is trusted by cinematographers and motion picture labs due its dynamic S-curve contrast and forgiving highlight control. For the first time ever, available in accessible powder format!\u003c\/p\u003e\n\u003cp\u003eMakes 1 liter of reusable stock solution or 2 liters of 1+1 single-use dilution developer for the traditional\u003cspan\u003e 2-bath B\u0026amp;W process. Reusable stock solution develops up to 16 rolls, 100ft of 35mm, or 200ft of 16mm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe D96 formula is the specified developer for classic b\u0026amp;w motion picture stocks such as BwXX (Double-X), Ferrania P30, Lomography (Orwo), etc... It also works great with modern T-grain films in addition to traditional film stocks. Processing times for D96 should start around 6-8 min and may be found at massive development chart at \u003cspan\u003e\u003ca href=\"https:\/\/www.digitaltruth.com\/chart\/search_text.php?Developer=D-96\"\u003ewww.digitaltruth.com\u003c\/a\u003e. \u003c\/span\u003eFinish processing your film in under ten minutes when you also use our\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/f96-bw-bleach-bypass-rapid-fixer\"\u003e F96 Rapid Fixer powder\u003c\/a\u003e! \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eD96 is comparable to \u003ca href=\"https:\/\/cinestillfilm.com\/products\/d-76-developer-powder-concentrate-1-gal\"\u003eKodak D-76\u003c\/a\u003e, with similar contrast and developing times for most black and white films. They share a motion picture film processing pedigree, with D-76 having been formulated in 1926 as a motion picture film developer. Later on, Kodak made certain adjustments to the chemistry and released D96. To this day, D96 serves as the primary black and white developer used in the motion picture industry.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"D96 Developing Time Chart\" href=\"https:\/\/cinestillfilm.com\/pages\/cinestill-d96-dev-chart?_pos=3\u0026amp;_sid=1cc53c167\u0026amp;_ss=r\"\u003e\u003cstrong\u003eD96 Developing Time Chart\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" title=\"CineStill D96 Developer SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_D96_Developer_SDS.pdf?v=1742247870\" target=\"_blank\"\u003eDownload D96 Developer Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":28914131828770,"sku":"D96-1000ml","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/D96_01_0d274e48-ce38-4d26-804c-04057e7a7e84.jpg?v=1736791617"},{"product_id":"f96-bw-bleach-bypass-rapid-fixer","title":"F96 B\u0026W + Bleach-Bypass Rapid Fixer, Powder Concentrate","description":"\u003cp\u003eThe world’s only powder rapid fixer also happens to be the most potent. So potent in fact that you have to further dilute 1 liter of working solution to 2 liters in order to match liquid concentrate rapid fixers. We use the purest ammonium thiosulfate agents to fix your film and make it archival in record time. Just add water!\u003c\/p\u003e\n\u003cp\u003eReusable solution fixes 24+ rolls of B\u0026amp;W or color film and can be diluted to make 1-2 liters of working solution fixer \u003cspan\u003efor the traditional\u003c\/span\u003e\u003cspan\u003e 2-bath B\u0026amp;W process or Bleach-Bypass color process\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \"Bleach-bypass\" color process\u003c\/span\u003e, also known as skip bleach or silver retention, is a process of skipping the step of bleaching during processing of color films. By doing this, silver is retained in the emulsion along with color dyes. The result is a black and white image over a color image. The images usually have reduced saturation along with increased contrast and graininess.\u003c\/p\u003e\n\u003cp\u003eMotion Picture \"Bleach-bypass\" was first used in cinematography by Japanese filmmaker Hiroshi Inagaki in film Rickshaw Man (1957). Kazuo Miyagawa, as Daiei Film's cameraman, invented bleach-bypass for Inagaki's film, inspired by the color rendition in the original release of Moby-Dick (1956), printed using dye-transfer Technicolor, and was achieved through the use of an additional black and white overlay. Actually, this is a throwback to pre-1944 Technicolor, which incorporated a silver-containing \"blank receiver\". Despite this early foray into the technique, it remained overlooked for the most part until its use by Roger Deakins for 1984 (1984). The effect has subsequently become a regular development tool in labwork, and has remained in widespread use. Practitioners include cinematographers Rodrigo Prieto, Remi Adefarasin, Darius Khondji, Dariusz Wolski, Walter Carvalho, Oliver Stapleton, Newton Thomas Sigel, Park Gok-ji, Shane Hurlbut, Steven Soderbergh (as \"Peter Andrews\"), Tom Stern, Vittorio Storaro, and Janusz Kamiński (notably on Steven Spielberg's Saving Private Ryan and Minority Report.\u003c\/p\u003e\n\u003cp\u003eT-grain films and bleach bypassed color film require Rapid Fixer (ammonium thio) to fully clear the color dyes. Standard cubic-grain films finish fixing in as little as 1-2 minutes! Washing of films is also exceedingly fast, due to the rapid absorption rates of ammonium thiosulfate in emulsions. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003e1 liter of working strength F96 Rapid Fixer solution fixes 24+ rolls of 135 or 120, or 100 4x5in sheets of black \u0026amp; white film. 1+1 paper dilution fixes 80 sheets of 8x10in resin coated (RC) prints, or 40 sheets of 8x10in fiber based (FB) prints.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eWash films in running water for 5–10 minutes at a temperature within 5°C (10°F) of the process temperature.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eFilm clearing time: In order to avoid the risk of insufficient fixing, film should remain in the fixer for twice the time it takes the emulsion to visibly clear. Used fixer should be discarded when film isn’t visibly clear in twice the time as with fresh fixer. The clearing time of a film and fixer combination can be found by the following method. Take a piece of scrap unprocessed film and place a drop of the working strength fixer on to part of the emulsion side. Time how long it takes until the emulsion under the drop is a clear spot, this should take between 15-60 seconds with traditional B\u0026amp;W films. The time it takes for the film to clear is the clearing time. The fixing time needed is double the clearing time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_F96_Rapid_Fixer_SDS.pdf?v=1742247870\" target=\"_blank\" title=\"CineStill F96 Rapid Fixer SDS\"\u003eDownload F96 Rapid Fixer Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":28914222465058,"sku":"F96-1000ml","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/F96_1ffd7054-ece2-4676-8702-aa346869647b.jpg?v=1735883072"},{"product_id":"tcs-temperature-control-system-tcs-1000-immersion-circulator-thermostat-for-mixing-chemistry-and-precision-film-processing-at-home","title":"°Cs \"Temperature Control System\", TCS-1000 Immersion Circulator Thermostat For Mixing Chemistry and Precision Film Processing","description":"\u003ch4\u003e\"Color Film Processing Made Easy\"\u003c\/h4\u003e\n\u003cp\u003eThe °Cs \u003ci\u003e\"Temperature Control System\" \u003c\/i\u003eTCS-1000 immersion circulator\/thermostat is is the simplest solution for precision film processing at home. Whether you are developing black and white, color negative, or slide film, this system allows you to efficiently and easily mix concentrates and powder chemicals, heat it up to the precise processing temperature, and maintain it during the entire developing session.\u003c\/p\u003e\n\u003cp\u003eUniversal design holds two 1000ml. storage bottles (Collapsible Accordion style, Wide-Mouth, JOBO, etc.) in a sink, tub, or basin of your preference, at the desired temperature.\u003c\/p\u003e\n\u003cp\u003eIntuitive interface preset to standard C-41 processing, and easily adjustable temperature and timers for any process.\u003c\/p\u003e\n\u003cp\u003eEasily mixes and heats chemistry in a 1000ml. pitcher in seconds, without splatter, spill or additional oxidation. Reheat chemistry preserved in the fridge for longer shelf life.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e\u003cimg width=\"55%\" src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/33598f5c-7dba-48c3-bbbe-b90d1eafe8c7.jpg\" data-cke-saved-src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/33598f5c-7dba-48c3-bbbe-b90d1eafe8c7.jpg\" data-file-id=\"3511869\" align=\"right\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 class=\"null\"\u003e\u003cstrong\u003eMain Features:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive ready-to-use interface does not require additional timers, downloading phone apps, nor connecting to bluetooth\/wifi\u003c\/li\u003e\n\u003cli\u003eDisplay and firmware preprogrammed to process film with an adjustable two-stage timer for any process (C-41, E-6, B\u0026amp;W, etc.) in Min : Sec\u003c\/li\u003e\n\u003cli\u003eSimple toggling between °C\/°F readouts\u003c\/li\u003e\n\u003cli\u003eUniversal bottle holder holds two 1000ml. storage bottles (collapsible accordion style, Wide-Mouth, JOBO, etc.) in a sink, tub, or basin of your preference\u003c\/li\u003e\n\u003cli\u003ePTC heating element, brushless DC motor and moulded polymer impeller\u003c\/li\u003e\n\u003cli\u003eStainless steel housing\u003c\/li\u003e\n\u003cli\u003eGround protection and temp\/water level\/overheat protection sensor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"null\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"null\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"null\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"null\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"null\"\u003e\u003cstrong\u003eMixing \u0026amp; Heating Chemistry:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"null\"\u003e\u003cimg width=\"100%\" src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/3143330a-6a5a-460c-9c48-d78151cc82b0.jpg\" data-cke-saved-src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/3143330a-6a5a-460c-9c48-d78151cc82b0.jpg\" data-file-id=\"3511857\"\u003ePlace the TCS-1000 in the \u003ca title=\"TCS Jug Pitcher Beaker Graduate 1000ml\" href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-1000ml-mixing-jug\" data-cke-saved-href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-1000ml-mixing-jug\" target=\"_blank\"\u003e°Cs 1000ml Mixing Jug\u003c\/a\u003e with the marked volume of water and add each bottle of concentrate or bag of powdered chemistry to the solution. The chemistry is easily mixed and heated to the correct processing temperature in a few seconds without splatter, spill or additional oxidation. Jugs of heated chemistry are then ready for immediate processing.\u003c\/p\u003e\n\u003cp class=\"null\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"null\"\u003e\u003cstrong\u003eTemperature Control Bath:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cinestill_TCS_Chemistry-JStrutz-091318-0408-W-ArmCSlabel_1024x1024.jpg?v=1537569050\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eWhen using the TCS-1000 with the dedicated \u003ca title=\"TCS Jug Pitcher Beaker Graduate 1000ml\" href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-1000ml-mixing-jug\" data-cke-saved-href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-1000ml-mixing-jug\" target=\"_blank\"\u003e°Cs 1000ml Mixing Jug\u003c\/a\u003e to pre-heat your chemistry, processing color film can be faster and simpler than traditional methods of processing black and white film at home. That said, submerging your bottles and your tanks in a temperature control bath at the desired temperature throughout the developing process is the most precise way of developing color negative and slide film.\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-collapsible-air-reduction-accordion-storage-bottle\" data-cke-saved-href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-collapsible-air-reduction-accordion-storage-bottle\" target=\"_blank\"\u003e\u003cimg style=\"float: none;\" alt=\"\"\u003e\u003c\/a\u003e (Instructions include directions for color-processing with or without a bath.)\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eFor longer developing sessions and the most precise results, the TCS-1000 is ideal to be used as a temperature control bath circulator. The included universal bottle holder attachment holds two 1000ml. storage bottles (\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-collapsible-air-reduction-accordion-storage-bottle\" data-cke-saved-href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-collapsible-air-reduction-accordion-storage-bottle\" target=\"_blank\"\u003e°Cs Collapsible Air Reduction\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-wide-mouth-plastic-chemical-bottle-1000ml\" data-cke-saved-href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/tcs-temp-wide-mouth-plastic-chemical-bottle-1000ml\" target=\"_blank\"\u003eWide-Mouth\u003c\/a\u003e, JOBO, etc.) in a sink, tub or basin of your preference and prevents them all from tipping over.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eFor a simple basin, we recommend using something similar to the Sterilite \u003ca href=\"https:\/\/www.google.com\/search?q=16+quart+storage+tub\" target=\"_blank\"\u003e16 Quart Storage Tub\u003c\/a\u003e used in our video and photos. (Recommended dimensions: 16\"x12\"x 7\" or greater)\u003c\/p\u003e\n\u003cp\u003e\u003cimg width=\"50%\" src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/0070c656-7185-4c37-a831-27ff9c9afb34.jpg\" data-cke-saved-src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/0070c656-7185-4c37-a831-27ff9c9afb34.jpg\" data-file-id=\"3511865\"\u003e\u003cimg width=\"40%\" src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/6b513f3c-619a-444c-98af-8b784e65bc25.jpg\" data-cke-saved-src=\"https:\/\/gallery.mailchimp.com\/e1fbb05187bde7c6deadc8879\/images\/6b513f3c-619a-444c-98af-8b784e65bc25.jpg\" data-file-id=\"3511897\"\u003e\u003c\/p\u003e\n\u003ch2 class=\"null\"\u003e\u003cstrong\u003eAdvantages over Kitchen Appliances:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eInspired by affordable kitchen appliances, cooking thermostats and even a foot-spa, which were themselves inspired by costly laboratory tools for scientific thermoregulation, we have now come full circle. An affordable immersion circulator thermostat for home laboratory use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUser-adjustable precise constant temperature control, from 0°C to 95°C (+\/-0.1°C), compared to cooking appliances which are only consistent between 45°C to 99°C (film processing ranges between 18°C - 40°C).\u003c\/li\u003e\n\u003cli\u003eHeats, mixes and circulates chemistry or temperature control bath, maintaining consistent accurate temperature (within +\/-1°\u003cspan\u003eC of user setting) throughout the entire bath (1-20L).\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003ePositive thermal coefficient (PTC) heating element heats\/cools quickly and is more stable and durable than standard metal heating tubes, which run too hot and rust.\u003c\/li\u003e\n\u003cli\u003eDisplay and firmware designed for processing film, starts up ready to process color film with adjustable two-stage timer for any process (C-41, E-6, Df96 monobath, etc.) in Min : Sec\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eHigh efficiency DC brushless motor offers fast speed, low noise, does not give off heat when processing film at lower temperatures, and has a life cycle over 4,000 working hours, 20-30% longer than most kitchen appliances. Combined with \u003cspan\u003emoulded i\u003c\/span\u003empeller has a max circulation capacity of up to 20L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/TCS_dicected.jpg?v=1537606747\"\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eOur PTC heating elements can be accurately set at much lower surface temperatures, not hot enough to cause combustion, scorching or curdling. Standard metal heating coils glow red hot, and since we aren't trying to cook chemistry or film the inherent physical properties of PTC technology, combined with a high efficiency motor and moulded impeller are far superior for our applications.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePositive thermal coefficient\u003c\/span\u003e technology brings together the function of a heating element, thermostat, and control device in a single component, enabling precise temperature specifications. PTC material is the safest most environmentally friendly and energy efficient elements currently available. It lowers maintenance with no fuses to change, and self regulates as ambient conditions change, making them energy efficient.\u003c\/p\u003e\n\u003cp\u003eBecause of their relatively large surface area, which eliminates the need for high volume heat transfers, PTC elements consequently saves energy while providing precision heating adjustment without any RFI or Inductive Radiation. In contrast, metal heating elements have a small surface area. Large volumes of heat must be emitted from the filament causing substantial energy loss, and metal coils produce Inductive Radiation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca title=\"TCS Complete PDF Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/TCS_INSTRUCTIONS.pdf?v=1613690715\" target=\"_blank\"\u003eDownload TCS Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tf6c4abf4.emailsys1a.net\/c\/128\/3340815\/3145\/0\/10323896\/319\/212679\/4a5e0ba786.html\" target=\"_blank\"\u003eInformation obligations pursuant to Section 18 (2) of the Electrical and Electronic Equipment Act\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote class=\"\" type=\"cite\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"x-apple-transform-wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"TCS-1000 US Plug (120V)","offer_id":31128830443594,"sku":"TCS-1000","price":109.95,"currency_code":"USD","in_stock":true},{"title":"TCS-1000 EU Plug (220V)","offer_id":43546872479916,"sku":"TCS-1000-EU","price":109.95,"currency_code":"USD","in_stock":true},{"title":"TCS-1000 AU Plug (220V)","offer_id":43546874085548,"sku":"TCS-1000-AU","price":109.95,"currency_code":"USD","in_stock":true},{"title":"TCS-1000 UK Plug (220V)","offer_id":43546875429036,"sku":"TCS-1000-UK","price":109.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/TCS-1000_2_61d3b9a2-7bd2-42c6-bfa5-3216473ad4a5.jpg?v=1738098365"},{"product_id":"tcs-temp-1000ml-mixing-jug","title":"°Cs 1000ml Mixing Pitcher","description":"\u003cp\u003eThis is a dedicated\u003cstrong\u003e TCS 1000ml Pitcher\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor mixing chemistry with the °CS \"Temperature Control System\", TCS-1000 Immersion Circulator.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml","offer_id":31128830836810,"sku":"TCS-1002","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/TCS_Jug_58900bfa-a679-485e-bf47-56aa7376d334.jpg?v=1734536844"},{"product_id":"jobo-duo-color-b-w-film-startr-kit","title":"JOBO DUO Color + B\u0026W Film Processing Kit for 35mm \u0026 120","description":"\u003ch3\u003e\u003cb\u003eMulti-purpose system for processing 35mm \u0026amp; 120 B\u0026amp;W\/color film at home.\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCineStill has partnered with JOBO, the industry leader in film processing tools, to provide the best complete processing kits with everything you need to process film at home. \u003c\/span\u003e\u003cspan\u003eTogether we have worked with JOBO to create some exclusive deals. Now is the time to start your home lab with some of the best products on the market, and at a reduced price! If you are wanting to get serious about home developing, this is the kit for you!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJOBO DUO Film Processing Kit \u003c\/strong\u003emakes processing color film at home easier and more affordable than ever! Our Cs41 \"Color Simplified\" color chemistry, paired with our brand new TCS-1000 temperature control system, makes handling color chemistry and temperature control a breeze. With this kit, processing color film is even simpler and faster than traditional black and white processing! Well...with the exception of our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/df96-developer-fix-b-w-monobath-single-step-solution-for-processing-at-home?variant=7367677247522\"\u003eDf96 Monobath single-step solution\u003c\/a\u003e.  \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOBO 1520 Developing Tank + 2 Film Reels\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg height=\"160x160\" width=\"160x160\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6640s_160x160.jpg?v=1574906131\" style=\"margin-right: 8px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eThe JOBO 1520 Tank is the efficient tank for chemical use out there, requiring less chemistry per roll than any other system available. It comes with two 1501 Duo reels and can process\u003cspan\u003e either two rolls of 35mm film on two reels or two rolls of 120 film on a single reel. \u003c\/span\u003eUse inversions for intermittent agitation or rotary processing by laying the tank on it’s side and rotating constantly, requiring just half the chemical volume for economic chemistry consumption.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e°Cs \"Temperature Control System\" TCS-1000**\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/TCS-1000_c51ebfde-464c-4bc3-8142-ff3f89ef55b7_160x160.jpg?v=1747235991\" alt=\"\" style=\"margin-bottom: 16px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp style=\"float: left;\"\u003eThe TCS-1000 immersion circulator\/thermostat allows you to efficiently and easily mix concentrates and powder chemicals, heat them up to the precise processing temperature, and maintain it during the entire developing session. Intuitive interface preset to standard C-41 processing, and easily adjustable temperature and timers for any process. Universal design holds two 1000ml. storage bottles in a tub, sink, or basin of your preference, at the desired temperature. \u003cbr\u003e\u003cem\u003e**This is the 1500W, 120V\/60Hz, 1000W US power plug model. For 220-240V,50\/60Hz VDE power plug please \u003ca href=\"https:\/\/www.fotoimpex.com\/darkroom\/cinestill-cs-temperature-control-system-tcs-1000.html?cache=1539123952\"\u003eorder from our European distributor\u003c\/a\u003e. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e°Cs 1000ml Chemistry Mixing Jug\/Pitchers (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/TCS_1000_Jug_160x160.jpg?v=1719607059\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/TCS_Jug_345x550_2x_6ce45d5f-d2d5-475d-a6b5-8a3140dbf574_compact.jpg?v=1542750269\" alt=\"\" style=\"margin-right: 8px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePlace the TCS-1000 in the °Cs 1000ml Mixing Jug with the marked volume of water and add each bottle of concentrate or bag of powdered chemistry to the solution. The chemistry is easily mixed and heated to the correct processing temperature in a few seconds without splatter, spill or additional oxidation. Heated chemistry is then ready for immediate processing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e°Cs 1000ml Collapsible Storage Bottles (2)\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg height=\"160x160\" width=\"160x160\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6652_160x160.jpg?v=1574928775\" style=\"margin-right: 8px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eHeat conductive material keeps chemistry at the correct temperature with the TCS-1000 \u003c\/span\u003e\u003ci\u003e\"Temperature Control System\".\u003c\/i\u003e\u003cspan\u003e Opaque plastic designed for storing darkroom chemistries that are sensitive to light and air. Accordion-like bottle with screw-on cap can be compressed allowing the volume of the bottle to be adapted to match the amount of liquid in it, which reduces the risk of oxidation. Chemicals stored in the bottle last longer when compared to conventional bottles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eCs41 \"Color Simplified\" For Color Processing At Home (C-41 Chemistry)\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD05321-Edit_160x160.jpg?v=1719605652\" style=\"margin-bottom: 16px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eProcessing ANY color negative film at home is easy with these 2 simple chemistry mixtures, reusable for up to 24 rolls of film. Processing your own color film doesn't have to be complicated or expensive! \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41_pint-qt-gal_Instructions_Complete.pdf?17109640844553486778\" title=\"Cs41 Complete Instructions\"\u003eDownload Cs41 Kit Complete PDF Instructions\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDf96 \"Developer\u0026amp;Fix\" B\u0026amp;W Monobath, Single-Step Solution \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg height=\"160x160\" width=\"160x160\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6632_160x160.jpg?v=1574907786\" style=\"margin-right: 8px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eThis versatile, single-step “Developer\u0026amp;Fix” monobath solution is perfect for processing any black \u0026amp; white film in minutes, with no need for stop bath, fixer, or any other chemicals. 530ml of ready-to-use chemistry will develop 8+ rolls of film. Powder makes 1000ml of reusable chemistry for processing 16+ rolls of film. \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_18OZ_instructions_Complete.pdf?1581\" title=\"Download Df96 Instructions\" target=\"_blank\"\u003eDownload Df96 Complete PDF Instructions\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide-Mouth Bottle \u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e(Powder Chemistry Kit Only)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/WideMouthBottle_747d2919-260c-4a93-bcfb-67516a5b82a0_160x160.jpg?v=1719606760\" style=\"margin-bottom: 16px; float: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/WideMouthBottle_160x160.jpg?v=1585169125\" alt=\"\" style=\"margin-right: 8px; float: left;\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlastic wide-mouth bottle made for storing your lab-chemicals. Because of the large opening, it is easy to fill and perfect for reuse with the Df96 Powder Chemistry. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Powder Chemistry Kit (Duo Box)","offer_id":40040856092844,"sku":"Jobo-Duo-Kit-Boxed","price":249.95,"currency_code":"USD","in_stock":true},{"title":"Ready-To-Use B\u0026W \/ Powder Color Chemistry Bundle (No Box)","offer_id":31377739513930,"sku":"Jobo-120-Cs41-Start","price":249.95,"currency_code":"USD","in_stock":false},{"title":"Powder Chemistry Bundle (No Box)","offer_id":31871844614218,"sku":"Jobo-120-Cs41-P-Start","price":249.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD02613-Edit_11a79bab-ff4f-42b4-bc98-f58734190252.jpg?v=1737676908"},{"product_id":"jobo-mono-35mm-starter-kit-jobo-1510-tank-film-reel-funnel-df96-bwxx","title":"JOBO MONO B\u0026W Film Processing Kit for 35mm","description":"\u003ch3\u003e\u003cstrong\u003eSingle-step solution for processing 35mm B\u0026amp;W film at home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eCineStill has partnered with JOBO, the industry leader in film processing tools, to provide the best complete processing kits with everything you need to process film at home. Together we have worked with JOBO to create some exclusive deals. Now is the time to start your home lab with some of the best products on the market, and at a reduced price! If you are wanting to get serious about home developing, this is the kit for you!\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eJOBO MONO Film Processing Kit\u003c\/strong\u003e is the easiest and most economical starter kit you will find for getting into traditional black and white film photography for the first time, and at an unbeatable price! It's sure to get you hooked!  \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e  \u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jwaK_NaDCCg\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eKit Includes:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eJOBO 1510 daylight developing tank with reel\u003c\/li\u003e\n\u003cli\u003eDf96 Monobath: Liquid (ready-to-use 530ml for 8+ rolls) \u003c\/li\u003e\n\u003cli\u003eFunnel with Stainless Steel Filter (Liquid Kit) or Wide-Mouth Bottle (Powder Kit)\u003cbr\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJOBO 1510 Daylight Developing Tank with Reel \u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6698_c9cf5e78-c488-44b7-a81e-aee8f24b0176_160x160.jpg?v=1574907528\" width=\"160x160\" height=\"160x160\"\u003e The JOBO 1510 daylight developing tank holds one 1501 multi-format reel for 35mm film. The 1501 reel is the easiest reel to load available and when used in the 1510 tank, uses less chemistry volume than any tank available, requiring only 4 oz. of chemistry when using constant agitation rotation method by laying the tank on its side and rolling it back and forth or 8 oz. of chemistry for intermittent agitation via full inversions. \u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eDf96 \"Developer\u0026amp;Fix\" B\u0026amp;W Monobath, Single-Step Solution\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6632_160x160.jpg?v=1574907786\" width=\"160x160\" height=\"160x160\"\u003e \u003cbr\u003e This versatile, single-step “Developer\u0026amp;Fix” monobath solution is perfect for processing any black \u0026amp; white film in minutes, with no need for stop bath, fixer, or any other chemicals. 530ml of ready-to-use option will develop 8+ rolls of film.\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFunnel with Stainless Steel Filter\u003c\/strong\u003e\u003cbr\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/Fotoimpex_Trichter_Sieb_160x160.jpg?v=1537739817\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Funnel_160x160.jpg?v=1682548996\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003eDurable plastic funnel with a built-in stainless steel mesh to filter out particulates from film developing chemicals. \u003cbr\u003e  \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6486s_1024x1024.jpg?v=1574908306\" data-mce-fragment=\"1\"\u003e\u003cem\u003e(FILM NOT INCLUDED)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMORE ABOUT PROCESSING WITH DF96:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_18OZ_instructions_Complete.pdf?1581\" title=\"Download Df96 18oz Instructions\" target=\"_blank\"\u003eDownload Df96 18oz. PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/16-different-rolls-of-b-w-film-in-just-one-bath\" target=\"_blank\"\u003eProcessing 16+ Different B\u0026amp;W Films With Just One Chemical! Df96\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-df96-compared-to-the-most-popular-standard-developers\" target=\"_blank\"\u003eNo Compromises - Df96 compared with popular traditional developers\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/10209_CINESTILL_DF96_MONOBATH_RTU_5.14.18.pdf?12527552589413978883\" title=\"CineStill Df96 Monobath SDS\" target=\"_blank\"\u003eDownload Df96 Liquid Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003ePhotochemical Waste Management\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 class=\"null\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e","brand":"CineStill","offers":[{"title":"Ready-To-Use Liquid Kit (Mono Box)","offer_id":40040909734060,"sku":"Jobo-Mono-Kit-Boxed","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD02710-Edit_e16858d0-027c-43a5-9874-5ad6ee8bbaa4.jpg?v=1737041505"},{"product_id":"cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls","title":"D6 \"DaylightChrome\" Neutral-Tone 1st Developer","description":"\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCineStill is proud to introduce the Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results - the true wonder of slide film unlocked. This process illuminates unique color profiles never before seen on slide film, effectively turning the tried-and-true standard into 3 totally different films. The Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 to 3. The reversal step occurs during color development in a Color\u0026amp;Reversal bath, and the bleach and conditioner steps are combined with the fixing step in a Bleaches\u0026amp;Fixer bath. Color-timing is performed with alternative 1st Developers to achieve full creative control of your slides. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD6 “DaylightChrome” Neutral-tone 5500K 1st Developer \u003c\/strong\u003eis one of the 1st Developers of the Cs6 “Creative Slide” 3-Bath Process. It renders approximately 6+ stops of usable dynamic range, with brighter whites and moderately enhanced color saturation, just like conventional E6 processing. Daylight-balanced 5500K for neutral-tone slides in daylight or with electronic flash. 1000ml stock solution makes 2000ml of single-use working solution (1+1 dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 2min @104°F (40°C).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIntended to be used with the Cr6 \"Color\u0026amp;Reversal\" 2-in-1 Slide Solution and the Bf6 \"Bleaches\u0026amp;Fixer\" 3-in-1 Slide Solution for the full 3-bath Cs6 process. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_D9_LAriver_SkierNS_007__MG_8034_2048x2048.jpg?v=1589758554\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Barns_E100_D_2048x2048.jpg?v=1589417485\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Windows_E100_D_2048x2048.jpg?v=1589417524\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Barn_E100_D_2048x2048.jpg?v=1589417554\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/FigureInWindow_E100_D_2048x2048.jpg?v=1589417628\"\u003e\u003cem\u003ePhotos by \u003ca href=\"https:\/\/www.stephenschaub.com\"\u003eStephen Schaub\u003c\/a\u003e on Kodak E100 developed in D6 1st developer\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMIXING STOCK SOLUTION\u003c\/strong\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePlace 16oz (470ml) of water into a clean glass or plastic pitcher.\u003c\/li\u003e\n\u003cli\u003eUse a clean plastic stir stick or the TCS-1000 to circulate the liquid.\u003c\/li\u003e\n\u003cli\u003eWhile circulating, add the contents of this bottle.\u003c\/li\u003e\n\u003cli\u003eTop off solution with water to make 1000ml. Mix well.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStore mixed solution in a tightly capped, completely filled storage container for up to 2-6 weeks. Yellows with age and turns amber when perished. Oxygen and contaminants cause developing agents to perish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNormal Development:\u003c\/strong\u003e 1+1 Dilution ~ 6min @104°f (40°C)\u003cbr\u003e\u003cstrong\u003ePush +1:\u003c\/strong\u003e Stock Solution ~ 6min or 1+1 Dilution ~ 8min\u003cbr\u003e\u003cstrong\u003ePush +2:\u003c\/strong\u003e Stock \u003cspan\u003eSolution \u003c\/span\u003e~ 8min\u003c\/p\u003e\n\u003cp\u003eMaintaining temperature is not essential beyond the completion of the 1st Developer step. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st Developer is time and temperature critical because it controls contrast and color.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e* ”Usable dynamic range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic range. The usable dynamic range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003cem\u003eFree shipping does not apply to Liquids since they ship separately via Ground within the Continental United States. \"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/10131_Photo_Systems_Inc._CINESTILL_D6__Daylight_Chrome_Neutral-Tone_1st_Developer_2081640_US-en_v3_0_9.12.25.pdf?v=1778831947\" target=\"_blank\" title=\"SDS\" rel=\"noopener\"\u003e\u003cstrong\u003eDownload D6 \"DaylightChrome\" 1st Developer Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":31814650069066,"sku":"D6-quart","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-052_c8de47a4-ee5d-48ab-ba43-edc51900da31.jpg?v=1735348467"},{"product_id":"cs6-1stdeveloper-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-up-to-16-rolls","title":"T6 \"TungstenChrome\" Cool-Tone 1st Developer","description":"\u003cp class=\"p1\"\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCineStill is proud to introduce the Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results - the true wonder of slide film unlocked. This process illuminates unique color profiles never before seen on slide film, effectively turning the tried-and-true standard into 3 totally different films. The Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 to 3. The reversal step occurs during color development in a Color\u0026amp;Reversal bath, and the bleach and conditioner steps are combined with the fixing step in a Bleaches\u0026amp;Fixer bath. Color-timing is performed with alternative 1st Developers to achieve full creative control of your slides.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eT6 “TungstenChrome” Cool-tone 3200K 1st Developer \u003c\/strong\u003eis one of the 1st Developers of the Cs6 “Creative Slide” 3-Bath Process. Renders approximately 6+ stops of usable dynamic range. Tungsten-balanced 3200K for artificial light or cool-tone E100\u003cem\u003eT\u003c\/em\u003e slides. Also works great for push processing in limited light! 1000ml stock solution makes 2000ml of single-use working solution (1+1 dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 6min @104°F (40°C).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIntended to be used with the Cr6 \"Color\u0026amp;Reversal\" 2-in-1 Slide Solution and the Bf6 \"Bleaches\u0026amp;Fixer\" 3-in-1 Slide Solution for the full 3-bath Cs6 process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/D9-T6_comparison01_eda9e998-3323-4183-a3ce-4c1fe4cc50e5_2048x2048.jpg?v=1589794825\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_LukeBike_SkierNS_010__MG_7993_2048x2048.jpg?v=1589794368\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Orchard_E100_P800_T_s_2048x2048.jpg?v=1589417961\"\u003e\u003cem\u003ePhoto by \u003ca href=\"https:\/\/www.stephenschaub.com\"\u003eStephen Schaub\u003c\/a\u003e on Kodak E100 pushed to EI 800 in T6 1st developer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e \u003cstrong\u003eMIXING STOCK SOLUTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlace 600-700ml of water into a clean glass or plastic pitcher.\u003c\/li\u003e\n\u003cli\u003eUse a clean plastic stir stick or the TCS-1000 to circulate the liquid.\u003c\/li\u003e\n\u003cli\u003eWhile circulating, add the contents of the powder packet.\u003c\/li\u003e\n\u003cli\u003eTop off solution with water to make 1000ml. Mix well.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStore mixed solution in a tightly capped, completely filled storage container for up to 2-6 weeks. Yellows with age and turns amber when perished. Oxygen and contaminants cause developing agents to perish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCool-Tone Development:\u003c\/strong\u003e 1+1 Dilution ~ 6min @104°f (40°C)\u003cbr\u003e\u003cstrong\u003ePush +1:\u003c\/strong\u003e Stock \u003cspan\u003eSolution \u003c\/span\u003e~ 6min or 1+1 Dilution ~8min\u003cbr\u003e\u003cstrong\u003ePush +2:\u003c\/strong\u003e Stock \u003cspan\u003eSolution \u003c\/span\u003e~ 8min\u003cbr\u003e\u003cbr\u003eMaintaining temperature is not essential beyond the completion of the 1st developer step. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st developer is time and temperature critical because it controls contrast and color.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e* ”Usable dynamic-range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic-range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic-range. The usable dynamic-range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" target=\"_blank\" rel=\"noopener\"\u003e\u003cstrong\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill T6 TungstenChrome 1st Developer SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_T6_1st_Developer_SDS.pdf?v=1742248183\" target=\"_blank\"\u003e\u003cstrong\u003eDownload T6 \"TungstenChrome\" 1st Developer Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":31820107219018,"sku":"T6-P-quart","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-055_88616a9a-840e-43e2-8e53-d01fa3e95128.jpg?v=1735344175"},{"product_id":"cs6-1stdeveloper-creative-slide-d9-dynamicchrome-bath-for-high-dynamic-range-slides-powder-up-to-16-rolls","title":"D9 “DynamicChrome” Warm-tone 1st Developer","description":"\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eCineStill is proud to introduce the Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results - the true wonder of slide film unlocked. This process illuminates unique color profiles never before seen on slide film, effectively turning the tried-and-true standard into 3 totally different films. The Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 to 3. The reversal step occurs during color development in a Color\u0026amp;Reversal bath, and the bleach and conditioner steps are combined with the fixing step in a Bleaches\u0026amp;Fixer bath. Color-timing is performed with alternative 1st Developers to achieve full creative control of your slides.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eD9 \"DynamicChrome\"\u003c\/strong\u003e \u003c\/span\u003eis the world’s most flexible 1st developer for slide film, rendering approximately 9+ stops of usable dynamic range, compared to approximately 6 stops with conventional E-6 processing (or\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6 \"DaylightChrome 1st Developer\u003c\/a\u003e\u003c\/strong\u003e) while m\u003cspan data-mce-fragment=\"1\"\u003eaintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eThe photographer has the choice between 3 dilutions; dilute 1+1 with water for warm-tone slides with 2+ stops of extended dynamic range, or for further preserved highlight detail\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand a more neutral color balance dilute 1+2 or 1+3\u003c\/span\u003e. D9 is perfect for high contrast scenes and is optimized for scanning. 1000ml stock solution makes 2000ml of single-use working solution \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1+1 Dilution)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto develop up to 16 rolls or 100ft of slide film.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIntended to be used with the Cr6 \"Color\u0026amp;Reversal\" 2-in-1 Slide Solution and the Bf6 \"Bleaches\u0026amp;Fixer\" 3-in-1 Slide Solution for the full 3-bath Cs6 process. \u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/cs6-crea\"\u003e\u003cspan\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCs6 \"Creative Slide\" 3-Bath Kit also available\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_b_2048x2048.jpg?v=1589878009\" alt=\"\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cem\u003eTop: E100 Underexposed -1 Stop.  Bottom: E100 Overexposed +1 Stop.\u003c\/em\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/D9-D6_comparison01_6580f332-d7a1-460d-b1cb-5726e8b10df4_2048x2048.jpg?v=1585799083\" style=\"margin: 0pxpx 0pxpx 0pxpx 0pxpx; float: none;\" width=\"2048x2048\" height=\"2048x2048\"\u003e\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/D9-D6_comparison02_583d89a9-c41d-4159-9b39-4a514d243766_2048x2048.jpg?v=1585799155\" style=\"margin: 0pxpx 0pxpx 0pxpx 0pxpx; float: none;\" width=\"2048x2048\" height=\"2048x2048\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/FarmBuildings_E100_Dynamic_2048x2048.jpg?v=1589417782\" alt=\"\"\u003e\u003cem\u003ePhoto by \u003ca href=\"https:\/\/www.stephenschaub.com\"\u003eStephen Schaub\u003c\/a\u003e on Kodak E100 developed in D9 1st developer\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIXING STOCK SOLUTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlace 600-700ml of water into a clean glass or plastic pitcher.\u003c\/li\u003e\n\u003cli\u003eUse a clean plastic stir stick or the TCS-1000 to circulate the liquid.\u003c\/li\u003e\n\u003cli\u003eWhile circulating, add the contents of the powder packet.\u003c\/li\u003e\n\u003cli\u003eTop-off solution with water to make 1000ml. Mix well.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStore mixed solution in a tightly capped, completely filled storage container for up to 2-6 weeks. Yellows with age and turns amber when perished. Oxygen and contaminants cause developing agents to perish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eWarm-Tone Development:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1+1 Dilution ~ 9 min. 15 sec. at 104°f (40°C)\u003cbr\u003e\u003cstrong\u003e\u003cspan data-token-index=\"2\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eExtended Highlight Latitude: \u003c\/span\u003e\u003c\/strong\u003e1+2 Dilution ~ 11 min. at 104°f (40°C)\u003cstrong\u003e\u003cspan data-token-index=\"4\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-token-index=\"4\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003ePull -1 (overexposed film):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e 1+3 Dilution ~ 13 min at 104°f (40°C)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor push processing we recommend our\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"DaylightChrome (NEUTRAL-TONE) 1ST DEVELOPER\" href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca title='\"TungstenChrome\" (COOL-TONE) 1ST DEVELOPER' href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-up-to-16-rolls\"\u003eT6\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1st Developers.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaintaining temperature is not essential beyond the completion of the 1st developer step. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st developer is time and temperature critical because it controls contrast and color.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* \"Usable dynamic range\" is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic range. The usable dynamic range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/d9-dynamicchrome-vs-e6-dynamic-range\"\u003eLatitude for Days - D9 DynamicChrome vs. E6 Dynamic-Range...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" target=\"_blank\" rel=\"noopener\"\u003e\u003cstrong\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill D9 DynamicChrome 1st Developer SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_D9_1st_Developer_SDS.pdf?v=1742248183\" target=\"_blank\"\u003e\u003cstrong\u003eDownload D9 \"DynamicChrome\" 1st Developer Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":31820201754698,"sku":"D9-P-quart","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-057-Edit_3cc776d7-75f9-46a8-921f-ce1583d097ff.jpg?v=1735344213"},{"product_id":"cs6-bf6bleaches-fixer-3-in-1-slide-solution-liquid-24-rolls-creative-slide","title":"Bf6 \"Bleaches\u0026Fixer\" 3-in-1 Slide Solution","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003c\/p\u003e\n\u003cp\u003eCineStill is proud to introduce the Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results - the true wonder of slide film unlocked! This process illuminates unique color profiles never before seen on slide film, effectively turning the true standard into 3 totally different films.\u003c\/p\u003e\n\u003cp\u003eThe number of processing baths for E-6 film is reduced from 6 to 3. The reversal step occurs during color development in a Color\u0026amp;Reversal bath, and the bleach and conditioner steps are combined with the fixing step in a Bleaches\u0026amp;Fixer bath. Color-timing is performed with alternative 1st Developers to achieve full creative control of your slides.\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the bleach and conditioner steps are combined with the fixing step in our \u003cstrong\u003eBf6 “Bleaches\u0026amp;Fixer” bath\u003c\/strong\u003e, which comes in a liquid concentrate to make 1 quart of reusable solution capable of clearing 24+ rolls of slide film. Stock \u0026gt; 6-10min @ 75 -104°F (23-40°C).\u003c\/p\u003e\n\u003cp\u003eIntended to be used with the D6, T6, or D9 1st Developers and the Cs6 \"Color\u0026amp;Reversal\" 2-in-1 Slide Solution. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIXING STOCK SOLUTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlace 14 oz. (414 ml) of 140ºF (60ºC) water into a clean glass or plastic pitcher.\u003c\/li\u003e\n\u003cli\u003eUse a clean plastic stir stick or the TCS-1000 to circulate the liquid.\u003c\/li\u003e\n\u003cli\u003eWhile circulating, add the contents of the bottle marked \"PART A\".\u003c\/li\u003e\n\u003cli\u003eContinue circulating, add the contents of the bottle marked \"PART B\".\u003c\/li\u003e\n\u003cli\u003eContinue circulating, add the contents of the bottle marked \"PART C\".\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStore mixed solution in a tightly capped storage container with air inside for 2-4 months. Aerate frequently. Oxidation encourages activity of bleaches. When film won't clear after 10 min, retire chemistry and re-fix film.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBleaches\u0026amp;Fixer Bath:\u003c\/strong\u003e Stock \u0026gt; 6-10min @ 75 -104°f (23-40°C)\u003cbr\u003e\u003cem\u003eThis is a process-to-completion step. Time is minimum for completion.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaintaining temperature is not essential beyond pouring in the 1st developer. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st developer is time and temperature critical because it controls contrast and color.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFree shipping does not apply to Liquids since they ship separately via Ground within the Continental United States. \"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" target=\"_blank\" rel=\"noopener\"\u003e\u003cstrong\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Bf6 SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Bf6_Bleaches_Fixer_SDS.pdf?v=1742419544\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Bf6 \"Bleaches\u0026amp;Fixer\" Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":31820213190730,"sku":"Bf6-quart","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-023_b3613ca8-2069-4b05-96e7-4d041fe5fbbd.jpg?v=1735349078"},{"product_id":"cs6-cr6color-reversal-2-in-1-slide-solution-liquid-16-rolls-creative-slide","title":"Cr6 \"Color\u0026Reversal\" 2-in-1 Slide Solution","description":"\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCineStill is proud to introduce the Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results - the true wonder of slide film unlocked! This process illuminates unique color profiles never before seen on slide film, effectively turning the true standard into 3 totally different films.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe number of processing baths for E-6 film is reduced from 6 to 3. The reversal step occurs during color development in a Color\u0026amp;Reversal bath, and the bleach and conditioner steps are combined with the fixing step in a Bleaches\u0026amp;Fixer bath. Color-timing is performed with alternative 1st Developers to achieve full creative control of your slides.\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the reversal step occurs during color development in our \u003cstrong\u003eCr6 “Color\u0026amp;Reversal” bath\u003c\/strong\u003e, which comes in a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eliquid concentrate to make 1 quart of\u003c\/span\u003e reusable solution capable of reversing 16+ rolls of developed slide film. Stock \u0026gt; 6min @ 80 -104°F (27-40°C).\u003c\/p\u003e\n\u003cp\u003eIntended to be used with the D6, T6, or D9 1st Developers and the Bf6 \"Bleaches\u0026amp;Fixer\" 3-in-1 Slide Solution.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/cs6-crea\"\u003e\u003c\/a\u003eFor color-timing chrome, reversal, and E-6 compatible film. “Color\u0026amp;Reversal” Color Developer\u0026amp;Reversal Bath. Reusable Solution Reverses 16+ Rolls of Developed Slide Film.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIXING STOCK SOLUTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlace 22oz. (650ml) of 115ºF (46ºC) water into a clean glass or plastic pitcher.\u003c\/li\u003e\n\u003cli\u003eUse a clean plastic stir stick or the TCS-1000 to circulate the liquid.\u003c\/li\u003e\n\u003cli\u003eWhile circulating, add the contents of the bottle marked \"PART A\".\u003c\/li\u003e\n\u003cli\u003eContinue circulating, add the contents of the bottle marked \"PART B\".\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStore mixed solution in a tightly capped, completely filled storage container for 6-12 weeks. Turns dark brown or opaque when oxidation protection is exhausted. Variation in color developer pH causes color shifts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor\u0026amp;Reversal Bath:\u003c\/strong\u003e Stock \u0026gt; 6min @ 80-104°f (27-40°C) \u003cbr\u003e\u003cem\u003eThis is a process-to-completion step. Time is minimum for completion.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaintaining temperature is not essential beyond pouring in the 1st developer. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st developer is time and temperature critical because it controls contrast and color.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThis product is classified as \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Limited Quantity Hazardous\" \u003c\/span\u003eitems cannot be shipped to PO boxes.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" target=\"_blank\" rel=\"noopener\"\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cr6_Color_Reversal_SDS.pdf?v=1742248624\" title=\"CineStill Cr6 Color\u0026amp;Reversal SDS\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cr6 \"Color\u0026amp;Reversal\" Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart","offer_id":31820238815306,"sku":"Cr6-quart","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-050_7ebadcf8-4ea1-45e2-a723-16cdc93cf8e6.jpg?v=1735684378"},{"product_id":"cs6-creative-slide-3-bath-process-for-color-timing-chrome-reversal-and-e-6-compatible-film","title":"Cs6 \"Creative Slide\" DynamicChrome Kit (E-6)","description":"\u003cp\u003eIntroducing the Cs6 DynamicChrome Kit — a simplified 3-bath dynamic E-6 kit for processing up to 16 rolls of color reversal film at home.\u003c\/p\u003e\n\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003c\/p\u003e\n\u003cp\u003eThe Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 t\u003cspan data-mce-fragment=\"1\"\u003eo 3. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis new kit contains everything you need to get started with the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCs6 \"Creative Slide\" 3-Bath Process; a 1st Developer, a Color\u0026amp;Reversal bath, and a Bleaches\u0026amp;Fixer bath. \u003c\/span\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eKit Includes\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e1x \u003cstrong\u003eD9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“DynamicChrome”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1st Developer (1000mL stock solution for up to 16 Rolls)\u003c\/li\u003e\n\u003cli\u003e1x\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCr6 “Color\u0026amp;Reversal”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2-in-1 Reusable Slide Solution (1 Quart for 16+ Rolls)\u003c\/li\u003e\n\u003cli\u003e1x \u003cstrong\u003eBf6\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“Bleaches\u0026amp;Fixer”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3-in-1 Reusable Slide Solution (1 Quart for 24+ Rolls)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProcessing even more film is as easy as 3-2-1. \u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/cart\/update?updates%5B31822898036810%5D=1\u0026amp;updates%5B31820201754698%5D=2\u0026amp;updates%5B31820201754698%5D=2\u0026amp;updates%5B31820238815306%5D=1\"\u003eBundle the Cs6 Kit with 2 more D9 and an extra Cr6\u003c\/a\u003e\u003c\/strong\u003e to process up to 32 rolls. \u003c\/p\u003e\n\u003cp\u003eD9 “DynamicChrome” is the most versatile of 3 different CineStill Cs6 1st Developers available, allowing you to have more control of your dynamic range and gives you a great way to get started with processing color reversal film at home.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD05609-Edit_e75cb53f-7aa2-49ef-ab1d-842aa5c5510c_1024x1024.jpg?v=1646083195\" width=\"1024x1024\" height=\"1024x1024\"\u003e\u003c\/div\u003e\n\u003cp\u003eWith limited slide film options available today, CineStill's groundbreaking Cs6 chemistry\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003emultiplies\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003eyour choices\u003c\/strong\u003e, with a quick and easy process that gives you maximum creative control, making your slides superior to color-corrected negative scans without sacrificing flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-d9-dynamicchrome-1st-developer-bath-for-high-dynamic-range-slides-powder-8-16-rolls\"\u003e\u003cstrong\u003eD9 “DynamicChrome” Warm-Tone Dynamic 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD9 \"DynamicChrome\"\u003c\/strong\u003e is the world’s most flexible 1st developer for slide film, rendering approximately 9+ stops of usable dynamic range*, compared to approximately 6 stops with conventional E-6 processing (or\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6 \"DaylightChrome 1st Developer\u003c\/a\u003e\u003c\/strong\u003e) while m\u003cspan data-mce-fragment=\"1\"\u003eaintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eThe photographer has the choice between 3 dilutions; dilute 1+1 with water for warm-tone slides with 2+ stops of extended dynamic range, or for further preserved highlight detail\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand a more neutral color balance dilute 1+2 or 1+3\u003c\/span\u003e. D9 is perfect for high contrast scenes and is optimized for scanning. 1000ml stock solution makes 2000ml of single-use working solution \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1+1 Dilution)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto develop up to 16 rolls or 100ft of slide film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eWarm-Tone Development:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1+1 Dilution ~ 9 min. 15 sec. at 104°f (40°C)\u003cbr\u003e\u003cstrong\u003e\u003cspan data-token-index=\"2\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eExtended Highlight Latitude: \u003c\/span\u003e\u003c\/strong\u003e1+2 Dilution ~ 11 min. at 104°f (40°C)\u003cstrong\u003e\u003cspan data-token-index=\"4\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-token-index=\"4\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003ePull -1 (overexposed film):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e 1+3 Dilution ~ 13 min at 104°f (40°C)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor push processing we recommend our\u003cstrong\u003e \u003ca title=\"DaylightChrome (NEUTRAL-TONE) 1ST DEVELOPER\" href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6\u003c\/a\u003e\u003c\/strong\u003e or \u003cstrong\u003e\u003ca title='\"TungstenChrome\" (COOL-TONE) 1ST DEVELOPER' href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-up-to-16-rolls\"\u003eT6\u003c\/a\u003e\u003c\/strong\u003e 1st Developers.\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-cr6-color-reversal-2-in-1-slide-solution-liquid-16-rolls\"\u003e\u003cstrong\u003eCr6 “Color\u0026amp;Reversal” Color Developer \u0026amp; Reversal Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the reversal step occurs during color development in our Cr6 “Color\u0026amp;Reversal” bath, which comes in a liquid concentrate to make a 1 quart of reusable solution capable of reversing 16+ rolls of developed slide film. Stock \u0026gt; 6min @ 80 -104°F (27-40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-bf6-bleaches-fixer-3-in-1-slide-solution-liquid-24-rolls\"\u003e\u003cstrong\u003eBf6 “Bleaches\u0026amp;Fixer” Pre-Bleach \u0026amp; Blix Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the bleach and conditioner steps are combined with the fixing step in our Bf6 “Bleaches\u0026amp;Fixer” bath, which comes in a liquid concentrate to make 1 quart of reusable solution capable of clearing 24+ rolls of slide film. Stock \u0026gt; 6-10min @ 75 -104°F (23-40°C).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* ”Usable dynamic range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic-range. The usable dynamic range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_b_2048x2048.jpg?v=1589878009\" alt=\"D9 DynamicChrome 1st Developer compared to traditional D6 DaylightChrome (E6)\"\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Considerations:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis product is classified \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to Department of Transportation (DOT) regulations. Please take a look at our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/dealers\"\u003eDealers\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003epage to see if there is a CineStill Dealer near you that may carry the Cr6 solution or Cs6 kits. Note: Cs6 kits cannot be shipped to PO boxes and ship separately with their own tracking number.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/d9-dynamicchrome-vs-e6-dynamic-range\"\u003eLatitude for Days - D9 DynamicChrome vs. E6 Dynamic-Range...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" target=\"_blank\" rel=\"noopener\"\u003e\u003cstrong\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs6_Creative_Slide_Complete_SDS.pdf?v=1742247248\" title=\"CineStill Cs6 Creative Slide Kit SDS\" target=\"_blank\"\u003eDownload Cs6 Complete Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"DynamicChrome (D9)","offer_id":31822898036810,"sku":"Cs6-D9-quart","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD05244-Edit_aea78a75-b16c-44e3-bede-1f2d026c61f7.jpg?v=1734084179"},{"product_id":"cs41-simplified-color-stabilizer-final-rinse-bath-1000ml","title":"Cs41 \"Color Stabilizer\" Final Rinse Bath, 2oz to Make 1000ml","description":"\u003cp\u003e\u003cspan\u003eThe \"stabilizer baths\" found in many modern C-41 color developing kits, including our own liquid kit, contain a surfactant (to prevent water from drying on the film and leaving spots if the water is hard) and Hexamine or Miconazole (mild anti-fungal agents). Neither of these is necessary for the stabilization of the dyes or hardening emulsion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOur Cs41 \"Color Simplified\" Kit is specially formulated without compromise for modern color films, not requiring a stabilizer bath. But it's not a bad idea to use a final rinse bath if you have hard water, or if film will be stored in a humid environment in order to prevent organisms from growing in your emulsion, since processed color film does not contain silver (naturally anti-microbial).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf you are shooting modern color negative film, a \"stabilizer bath\" is not necessary. Up until the mid 90's, the final rinse bath in the C-41 process was called a \"stabilizer bath,\" since it contained Formaldehyde or Formalin. Modern color film emulsions were \u003cspan\u003edesigned so that one-hour photo labs wouldn't need haz-mat training for formaldehyde\u003c\/span\u003e \u003cspan\u003eand have built-in dye stabilizers and hardeners that are released through our simplified 2-bath process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41_Liquid_Insrructions.pdf?v=1591402967\" title=\"Cs41 Complete Instructions\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs41 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/101221_CINESTILL_Cs41_STABILIZER_6.02.22.pdf?v=1742223664\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs41 Color Stabilizer Final Rinse Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Liquid Concentrate","offer_id":32195860987978,"sku":"Cs41-S-2oz","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Stabilizer_New_b347e88b-0306-400d-b373-f8083f1a1bc9.jpg?v=1736791619"},{"product_id":"cs41-sim-cd41-color-developer-bath-for-color-negative-bleach-bypass-powder-concentrate-c-41-chemistry","title":"Cd41 \"Color Developer\" Bath for Color Negative + Bleach-Bypass, Powder Concentrate (C-41 Chemistry)","description":"\u003cp\u003e\u003cstrong\u003eProcess or Bleach-Bypass ANY color negative film with 2 simple chemistry mixtures. \u003c\/strong\u003e\u003cem\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/f96-bw-bleach-bypass-rapid-fixer\"\u003eF96 B\u0026amp;W + Bleach-Bypass Rapid Fixer\u003c\/a\u003e, Not Included.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReusable solution develops 24+ rolls color film and can be reused alongside the Bf41 Blix bath following the \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/product-catalog\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41\u003c\/a\u003e instructions, or \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/f96-bw-bleach-bypass-rapid-fixer\"\u003e\u003cspan\u003eF96 Rapid Fixer\u003c\/span\u003e\u003c\/a\u003e for\u003cspan\u003e Bleach-Bypass color process\u003c\/span\u003e. Bleach-bypassed color film requires Rapid Fixer (ammonium thio) to fully clear the color dyes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \"Bleach-bypass\" color process\u003c\/span\u003e, also known as skip bleach or silver retention, is a process of skipping the step of bleaching during processing of color films. By doing this, silver is retained in the emulsion along with color dyes. The result is a black and white image over a color image. The images usually have reduced saturation along with increased contrast and graininess. \u003cspan\u003eAnd if you ever want to remove the effect you can simply process it in the Bf41 bath included in our \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/product-catalog\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 2-Bath Kits\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMotion Picture \"Bleach-bypass\" was first used in cinematography by Japanese filmmaker Hiroshi Inagaki in film Rickshaw Man (1957). Kazuo Miyagawa, as Daiei Film's cameraman, invented bleach-bypass for Inagaki's film, inspired by the color rendition in the original release of Moby-Dick (1956), printed using dye-transfer Technicolor, and was achieved through the use of an additional black and white overlay. Actually, this is a throwback to pre-1944 Technicolor, which incorporated a silver-containing \"blank receiver\". Despite this early foray into the technique, it remained overlooked for the most part until its use by Roger Deakins for 1984 (1984). The effect has subsequently become a regular development tool in labwork, and has remained in widespread use. Practitioners include cinematographers Rodrigo Prieto, Remi Adefarasin, Darius Khondji, Dariusz Wolski, Walter Carvalho, Oliver Stapleton, Newton Thomas Sigel, Park Gok-ji, Shane Hurlbut, Steven Soderbergh (as \"Peter Andrews\"), Tom Stern, Vittorio Storaro, and Janusz Kamiński (notably on Steven Spielberg's Saving Private Ryan and Minority Report.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf you already process your own black and white film, there is no reason not to process C-41 color negative film at home as well! It is specially formulated without compromise for modern color films, not requiring a stabilizer bath. Modern emulsions were designed so that one-hour photo labs wouldn't need haz-mat training for formaldehyde, and have built-in dye stabilizers and hardeners that are released through the simplified 2-bath process. You can have beautifully developed, bleached and fixed color negatives, ready to scan or print. All you need is water, a thermometer and any simple tank and reel system! \u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" (ORM-D) and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/em\u003e\u003cem\u003e\"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?14374404616962145803\" title=\"Cs41 Complete Instructions\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDownload Cs41 Powder Kit Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cd41 Color Developer Powder SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cd41_Color_Developer_Powder_SDS.pdf?v=1742229054\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cd41 Color Developer Powder Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart (24 rolls)","offer_id":32222519132234,"sku":"Cd41-P-1000ml","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cd41-Powder-bag_6969fe8a-742b-4540-ac89-595e1474eb2a.jpg?v=1735878985"},{"product_id":"cs41-simplified-color-2-bath-kit-for-bleach-bypass-color-negative-film-at-home-powder-concentrate-c-41-chemistry","title":"Cs41 \"Bleach-Bypass\" 2-Bath Bundle for Color Negative Film at Home, Powder Concentrate(C-41 Chemistry)","description":"\u003cp\u003e\u003cstrong\u003eBleach-Bypass color negative film with these 2 simple chemistry mixtures!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Bleach-bypass\" color process, also known as skip bleach or silver retention, is a process of skipping the step of bleaching during processing of color films. By doing this, silver is retained in the emulsion along with color dyes. The result is a black and white image over a color image. The images usually have reduced saturation along with increased contrast and graininess. And if you ever want to remove the effect you can simply process it in the Bf41 bath included in our \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/product-catalog\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 2-Bath Kits\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eMotion Picture \"Bleach-bypass\" was first used in cinematography by Japanese filmmaker Hiroshi Inagaki in film Rickshaw Man (1957). Kazuo Miyagawa, as Daiei Film's cameraman, invented bleach-bypass for Inagaki's film, inspired by the color rendition in the original release of Moby-Dick (1956), printed using dye-transfer Technicolor, and was achieved through the use of an additional black and white overlay. Actually, this is a throwback to pre-1944 Technicolor, which incorporated a silver-containing \"blank receiver\". Despite this early foray into the technique, it remained overlooked for the most part until its use by Roger Deakins for 1984 (1984). The effect has subsequently become a regular development tool in labwork, and has remained in widespread use. Practitioners include cinematographers Rodrigo Prieto, Remi Adefarasin, Darius Khondji, Dariusz Wolski, Walter Carvalho, Oliver Stapleton, Newton Thomas Sigel, Park Gok-ji, Shane Hurlbut, Steven Soderbergh (as \"Peter Andrews\"), Tom Stern, Vittorio Storaro, and Janusz Kamiński (notably on Steven Spielberg's Saving Private Ryan and Minority Report.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese two-bath bleach-bypass kits can be used at a variety of temperatures with the same equipment you already process your black and white film with at home. No darkroom or automated processor required! \u003c\/span\u003eReusable solutions develop 24+ rolls color film and can be reused following the Cs41 instructions.\u003c\/p\u003e\n\u003cp\u003eFeatures: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor Bleach-Bypass processing any color negative (C-41) film\u003c\/li\u003e\n\u003cli\u003ePowder ships without Limited Quantity Hazardous (ORM-D) regulations \u003c\/li\u003e\n\u003cli\u003eEasy to mix concentrates make 1 liter\/quart of working solution \u003c\/li\u003e\n\u003cli\u003e2 bath process (just like most black and white processing)\u003c\/li\u003e\n\u003cli\u003eNo special processor needed (use standard processing tanks and reels)\u003c\/li\u003e\n\u003cli\u003eFlexible processing temperatures\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eAll you need to do is replace the the Bleach\u0026amp;Fix chemical with F96 when following the \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?14374404616962145803\"\u003eCs41 instructions\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eInstructions for processing and Push\/Pull processing included \u003c\/li\u003e\n\u003cli\u003eReusable for up to 24 rolls of film\u003c\/li\u003e\n\u003cli\u003eLong lasting shelf life\u003c\/li\u003e\n\u003cli\u003eFully archival\u003c\/li\u003e\n\u003cli\u003eAffordable!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/0csb207-R1-E001_17_480x480.jpg?v=1622679303\" alt=\"\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em; display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eIf you already process your own black and white film, there is no reason not to process C-41 color negative film at home as well! It is specially formulated without compromise for modern color films, not requiring a stabilizer bath. Modern emulsions were designed so that one-hour photo labs wouldn't need haz-mat training for formaldehyde, and have built-in dye stabilizers and hardeners that are released through the simplified 2-bath process. You can have beautifully developed, bleached and fixed color negatives, ready to scan or print. All you need is water, a thermometer and any simple tank and reel system! \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" (ORM-D) and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/em\u003e\u003cem\u003e\"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca title=\"Cs41 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?14374404616962145803\" target=\"_blank\"\u003eDownload Cs41 Powder Kit Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/10213P_CINESTILL_F96_RTU_RAPID_FIXER_POWDER_2.20.19.pdf?343\" target=\"_blank\"\u003eDownload F96 Rapid Fixer Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart (24 rolls)","offer_id":32222598168650,"sku":"Bb41-P-1000ml","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41-Powder_Bleach-Bypass_312eadce-7fb9-46b9-b815-837e687e6c6f.jpg?v=1735883099"},{"product_id":"cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning","title":"Cs2 “Cine Simplified” ECN 2-Bath Kit, for Low-Contrast Motion Picture Color Negatives For ECP \u0026 Scanning","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAfter years of research \u0026amp; development, CineStill has now formulated the only safe and consistent way to process stills with the same characteristics Hollywood expects, from the comfort of your home with the Cs2 “Cine Simplified” ECN 2-Bath Kit. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor those who wish to dabble in the motion picture workflow we have formulated some original at-home solutions, which are accurate to Eastman Kodak sensitometric standards. This 2-bath process simplifies the original 10+ step ECN-2 process, with uncompromised quality and accurate characteristic curves, while making it safe and foolproof for at-home use. Any motion or still photography film can be processed in this simplified 2-bath powder kit, resulting in a low-contrast color negative that is suitable for the motion picture workflow and scanning.  \u003cbr\u003e\u003cbr\u003eOur Cn2 “COLOR NEGATIVE” developer is combined with the prebath accelerant (which kicks off development) to produce proper ECN-2 density. The bleach and fixer baths are combined with the stop and wash baths in our single Bf2 “BLEACH\u0026amp;FIX+STOP” bath, to reduce risks to health \u0026amp; safety and processing defects caused from hazardous chemical carryover. After a final washing of your film you will have CineStill negatives matching Kodak’s characteristic curves for proper motion picture processing.\u003cbr\u003e\u003cbr\u003eIt may be a less complicated process than ECN-2, but Cs2 is actually more advanced chemistry, utilizing chemical compounds and technology which didn’t exist when ECN-2 was originally designed. ECN-2 was formulated around the mid-1970s, with the available technology of the day. Even though our Cs2 kit is simplified and safer, we didn’t skip or compromise any of the designed functions of the ECN-2 process. Whether it be with the color developing agents or the combined baths, we don’t settle for incomplete formulas that omit essential active components (e.g. Antifoggant to prevent base-fog buildup, Anti-Calcium to prevent precipitate and contamination, Ammonium Thiosulfate to fully clear silver and dyes, Development Stop to prevent color staining, etc). Proper ECN-2 negatives. No compromises. No BS. We’ve got you covered.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* Not intend for RA-4 chromogenic printing.\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e* If rem-jet is present, it can be manually removed under running water, after development.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003e+ Cs2 Pros\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eGreat for extremely high contrast scenes or to achieve the low-contrast cinematic look of motion picture negatives\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eOptimized for motion picture logarithmic scanning and ECP film printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eAdvanced active chemical agents formulated for motion picture processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eSimplified and safer 2-bath solution\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eReduced risk to health \u0026amp; safety and processing defects caused from chemical carryover\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNone of the caustic compounds or poisonous byproducts associated with ECN-2 processing (such as lye, sulfuric acid, hydrogen sulfide and sulfur dioxide fumes, or highly toxic cyanide gas)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNo special processor or additional components needed\u003c\/li\u003e\n\u003cli\u003eUse standard processing tanks and reels\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eExcellent for bleach bypass processing with F96 rapid fixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e- Cs2 Cons\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNot compatible with still photography RA-4 chromogenic paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eMore difficult to maintain higher developing temperature than Cs41\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eLess film capacity than the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 process\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eRecommended +1 stop of overexposure\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eThinner low-contrast negatives can be more difficult to scan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eCs2 vs Cs41 Film Processing\u003c\/h2\u003e\n\u003cp\u003eECN-2 and C-41 processes were originally formulated back in the mid-1970s to produce negatives for different purposes. Large scale ECN-2 processing was designed to produce consistent, thin negatives for quick printing on high contrast ECP-2 film with short exposure duration, to save time and money. Denser C-41 negatives could take up to 8x as long to print or scan, and time is money when printing 24 frames per second. ECN-2 negatives have an optical density range of around 1.6, while C-41 film is about 2.2, inherent of the process rather than the emulsion itself. This equals up to a 30%+ increase in tonal and contrast range. The target contrast gamma of the Cs41 process is between .6 to .65, but Cs2 processed film is only .45 to .55. Even if you adjust the processing time to get a denser ECN-2 negative there will still not be enough of an increase in contrast or color separation to match the curves of a C-41 negative, since it also lifts the base density of the film. Films processed in Cs2 exhibit much lower color contrast, with muddy whites and blacks when printed on RA-4 color paper. Conversely, any film processed in Cs41 would have too much contrast and density range to be compatible with motion picture printing. When it comes to making a photograph, cross-printing is more of an issue than cross-processing.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Sensitometric_Curves_Small_e6f46c28-1473-4348-9cd4-bde75bc1c745_2048x2048.jpg?v=1607588302\"\u003e\u003cbr\u003e\u003cem\u003eAbove: 21-step Sensitometric Characteristic Curves.\u003cbr\u003eTop left: 800T with Cs41, Top right: 800T with Cs2\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eBottom left: 800T with Cs41 vs Cs2 neutral density curves,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBottom right: Kodak’s target curves for 5219 match 800T with Cs2.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe difference between Cs41 and Cn2 processed films is the contrast curves produced in development, not the color quality or the halides. The color developing step controls the contrast curves but leaves the dynamic range of the negative unaffected because the density range is increased with the contrast. The limit to dynamic range would only be in the cross-printing but not when scanning. Color developer pH and temperature shifts color from colder to warmer, because as it increases (from 102-106ºF) so does the depth and activity of the developer on the lower green and red-sensitive layers. The Cs2 process is warmer than the Cs41 process, and it also yields a warmer color temperature. Color temperature and density can easily be corrected in printing but contrast cannot.\u003cbr\u003e\u003cbr\u003eYou can always scan any type of film, processed by any method you prefer. C-41 films may be processed in Cs2 chemistry to achieve desired results and vice versa. You can’t however go back and make an ECN-2 negative into a C-41 negative for printing. Both can be scanned with a density range suited for the respective process, but ECN-2 negatives require added contrast and care. Cs2 processed film will exhibit a more flat, linear curve, whereas Cs41 will render a higher contrast S-curve with more color separation. The characteristic curves produced by each process are designed to match the target densities for printing. The Cs2 process is great for extremely high-contrast scenes or to achieve that “flat cinematic look”. A lower density range (below 2) logarithmic scan of a Cs2 processed negative and further color grading is recommended to create a pleasing still photograph. \u003cbr\u003e\u003cbr\u003eThe Cs2 process can perfectly match the published sensitometric curves for a motion picture negative, designed to be accurately printed as a positive on ECP-2 film or log scanned as a digital intermediate for color grading. Developing CineStill color films in Cs41 chemistry as intended yields contrast curves, color separation and density range that compliments chromogenic printing and scanning for still imaging, making it easier to make beautiful photographs.\u003c\/p\u003e\n\u003ch2\u003eCs2 is Safer than the ECN-2 Motion Picture Process\u003c\/h2\u003e\n\u003cp\u003eThe Eastman Color Negative motion picture process involves a specific mechanical and chemical process for motion picture labs to produce long lengths of motion picture negatives, which print consistently on ECP-2 print film for projection. Motion picture processing machines use caustic chemicals that you don’t want in your home, such as sodium hydroxide (lye) and sulfuric acid (battery acid), which can cause chemical burns from handling. In addition to PPE, industrial exhaust vents are needed to carry away dangerous vapors and provide for the safety of the lab operator. Emulsion acts like a sponge and carries color developer into the acidic color stop bath, generating poisonous hydrogen sulfide and sulfur dioxide fumes. Heat and any acid added to the ferricyanide bleach can liberate highly toxic cyanide gas, along with the forming of Prussian Blue deposits on film, reels and tanks. Simply bypassing the hazardous color stop bath and going into the ECN-2 bleach will oxidize the color developer remaining in the emulsion, and cause severe staining to the film. Safer B\u0026amp;W stop baths (e.g., citric or acetic acid) introduce byproducts that cause leuco-cyan dye problems in the red-sensitive emulsion layer (i.e., green images) and interfere with the bleaching step. Additionally, bleach carryover into the separate fixer causes the film to be mottled with smears of color. This is why the ECN-2 process also specifies Solution Crossover Devices with multi-stage countercurrent washes between steps. If you are going to follow the ECN-2 Specifications for Processing KODAK Motion Picture Films you must use all of the proper equipment as well. None of these byproducts occur in the CineStill Cs2 Process.\u003cbr\u003e\u003cbr\u003eWith the Eastman Color Negative process a Prebath step softens the rem-jet backing for removal and accelerates development. The removal must be done so that none of the backing material sticks to the emulsion surface, through the combined action of water jets and buffers contacting the base side, removing all of the backing and residual residue. The Color Developer agent reduces exposed silver halides in emulsion into metallic silver, oxidizing the dye couplers incorporated within each layer of the emulsion to produce color images. The Stop Bath halts development and prevents oxidation of the dye couplers when entering the bleach. The washes prevent chemical carryover between baths. Bleach converts metallic silver, formed during color development, to silver-halide compounds that can be removed by the fixer. Rapid Fixer then converts all silver-halide compounds to soluble silver thiosulfate complex salts that are removed from the film in the fixer and subsequent wash. The wash and Final Rinse removes residual soluble silver thiosulfate and chemicals from the film, and prevents water spots and biological growths.\u003c\/p\u003e\n\u003cp\u003eSee more at, www.kodak.com\/uploadedfiles\/motion\/h2407.pdf\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cimg height=\"480x480\" width=\"480x480\" style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screen_Shot_2020-12-10_at_7.39.29_PM_480x480.png?v=1607658081\"\u003e\u003c\/div\u003e\n\u003cp\u003eIf you already process your own black and white film, with this kit, there is no reason not to process color negative film at home as well! It is specially formulated without compromise for modern color films. All you need is heated water, a thermometer and any simple tank and reel system!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan\u003eThis kit is classified as \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\"Limited Quantity Hazardous\" \u003c\/span\u003eitems cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Cs2 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs2_powder_instructions.pdf?v=1606784127\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Kit PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cs2 Powder SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs2_Chemistry_SDS.pdf?v=1739906223\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Powder Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Powder Concentrate \/ 1000ml\/Quart (16 rolls)","offer_id":32487168344138,"sku":"Cs2-P-1000ml","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs2_NewPackaging_1_7da444ed-825b-49d1-b37d-fcef74ef5e8b.jpg?v=1735878995"},{"product_id":"cs2-cine-cn2-color-developer-bath-for-color-negative-bleach-bypass-powder-concentrate-ecn-2-chemistry","title":"Cn2 \"Color Negative\" ECN-2 Developer, Low-Contrast Motion Picture Color Negatives For ECP \u0026 Scanning","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAfter years of research \u0026amp; development, CineStill has now formulated the only safe and consistent way to process stills with the same characteristics Hollywood expects, from the comfort of your home with the Cs2 “Cine Simplified” ECN 2-Bath Kit. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor those who wish to dabble in the motion picture workflow we have formulated some original at-home solutions, which are accurate to Eastman Kodak sensitometric standards. This 2-bath process simplifies the original 10+ step ECN-2 process, with uncompromised quality and accurate characteristic curves, while making it safe and foolproof for at-home use. Any motion or still photography film can be processed in this simplified 2-bath powder kit, resulting in a low-contrast color negative that is suitable for the motion picture workflow and scanning.  \u003cbr\u003e\u003cbr\u003eOur Cn2 “COLOR NEGATIVE” developer is combined with the prebath accelerant (which kicks off development) to produce proper ECN-2 density. The bleach and fixer baths are combined with the stop and wash baths in our single Bf2 “BLEACH\u0026amp;FIX+STOP” bath, to reduce risks to health \u0026amp; safety and processing defects caused from hazardous chemical carryover. After a final washing of your film you will have CineStill negatives matching Kodak’s characteristic curves for proper motion picture processing.\u003cbr\u003e\u003cbr\u003eIt may be a less complicated process than ECN-2, but Cs2 is actually more advanced chemistry, utilizing chemical compounds and technology which didn’t exist when ECN-2 was originally designed. ECN-2 was formulated around the mid-1970s, with the available technology of the day. Even though our Cs2 kit is simplified and safer, we didn’t skip or compromise any of the designed functions of the ECN-2 process. Whether it be with the color developing agents or the combined baths, we don’t settle for incomplete formulas that omit essential active components (e.g. Antifoggant to prevent base-fog buildup, Anti-Calcium to prevent precipitate and contamination, Ammonium Thiosulfate to fully clear silver and dyes, Development Stop to prevent color staining, etc). Proper ECN-2 negatives. No compromises. No BS. We’ve got you covered.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* Not intend for RA-4 chromogenic printing.\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e* If rem-jet is present, it can be manually removed under running water, after development.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003e+ Cs2 Pros\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eGreat for extremely high contrast scenes or to achieve the low-contrast cinematic look of motion picture negatives\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eOptimized for motion picture logarithmic scanning and ECP film printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eAdvanced active chemical agents formulated for motion picture processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eSimplified and safer 2-bath solution\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eReduced risk to health \u0026amp; safety and processing defects caused from chemical carryover\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNone of the caustic compounds or poisonous byproducts associated with ECN-2 processing (such as lye, sulfuric acid, hydrogen sulfide and sulfur dioxide fumes, or highly toxic cyanide gas)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNo special processor or additional components needed\u003c\/li\u003e\n\u003cli\u003eUse standard processing tanks and reels\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eExcellent for bleach bypass processing with F96 rapid fixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e- Cs2 Cons\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNot compatible with still photography RA-4 chromogenic paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eMore difficult to maintain higher developing temperature than Cs41\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eLess film capacity than the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 process\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eRecommended +1 stop of overexposure\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eThinner low-contrast negatives can be more difficult to scan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eCs2 vs Cs41 Film Processing\u003c\/h2\u003e\n\u003cp\u003eECN-2 and C-41 processes were originally formulated back in the mid-1970s to produce negatives for different purposes. Large scale ECN-2 processing was designed to produce consistent, thin negatives for quick printing on high contrast ECP-2 film with short exposure duration, to save time and money. Denser C-41 negatives could take up to 8x as long to print or scan, and time is money when printing 24 frames per second. ECN-2 negatives have an optical density range of around 1.6, while C-41 film is about 2.2, inherent of the process rather than the emulsion itself. This equals up to a 30%+ increase in tonal and contrast range. The target contrast gamma of the Cs41 process is between .6 to .65, but Cs2 processed film is only .45 to .55. Even if you adjust the processing time to get a denser ECN-2 negative there will still not be enough of an increase in contrast or color separation to match the curves of a C-41 negative, since it also lifts the base density of the film. Films processed in Cs2 exhibit much lower color contrast, with muddy whites and blacks when printed on RA-4 color paper. Conversely, any film processed in Cs41 would have too much contrast and density range to be compatible with motion picture printing. When it comes to making a photograph, cross-printing is more of an issue than cross-processing.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Sensitometric_Curves_Small_e6f46c28-1473-4348-9cd4-bde75bc1c745_2048x2048.jpg?v=1607588302\"\u003e\u003cbr\u003e\u003cem\u003eAbove: 21-step Sensitometric Characteristic Curves.\u003cbr\u003eTop left: 800T with Cs41, Top right: 800T with Cs2\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eBottom left: 800T with Cs41 vs Cs2 neutral density curves,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBottom right: Kodak’s target curves for 5219 match 800T with Cs2.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe difference between Cs41 and Cn2 processed films is the contrast curves produced in development, not the color quality or the halides. The color developing step controls the contrast curves but leaves the dynamic range of the negative unaffected because the density range is increased with the contrast. The limit to dynamic range would only be in the cross-printing but not when scanning. Color developer pH and temperature shifts color from colder to warmer, because as it increases (from 102-106ºF) so does the depth and activity of the developer on the lower green and red-sensitive layers. The Cs2 process is warmer than the Cs41 process, and it also yields a warmer color temperature. Color temperature and density can easily be corrected in printing but contrast cannot.\u003cbr\u003e\u003cbr\u003eYou can always scan any type of film, processed by any method you prefer. C-41 films may be processed in Cs2 chemistry to achieve desired results and vice versa. You can’t however go back and make an ECN-2 negative into a C-41 negative for printing. Both can be scanned with a density range suited for the respective process, but ECN-2 negatives require added contrast and care. Cs2 processed film will exhibit a more flat, linear curve, whereas Cs41 will render a higher contrast S-curve with more color separation. The characteristic curves produced by each process are designed to match the target densities for printing. The Cs2 process is great for extremely high-contrast scenes or to achieve that “flat cinematic look”. A lower density range (below 2) logarithmic scan of a Cs2 processed negative and further color grading is recommended to create a pleasing still photograph. \u003cbr\u003e\u003cbr\u003eThe Cs2 process can perfectly match the published sensitometric curves for a motion picture negative, designed to be accurately printed as a positive on ECP-2 film or log scanned as a digital intermediate for color grading. Developing CineStill color films in Cs41 chemistry as intended yields contrast curves, color separation and density range that compliments chromogenic printing and scanning for still imaging, making it easier to make beautiful photographs.\u003c\/p\u003e\n\u003ch2\u003eCs2 is Safer than the ECN-2 Motion Picture Process\u003c\/h2\u003e\n\u003cp\u003eThe Eastman Color Negative motion picture process involves a specific mechanical and chemical process for motion picture labs to produce long lengths of motion picture negatives, which print consistently on ECP-2 print film for projection. Motion picture processing machines use caustic chemicals that you don’t want in your home, such as sodium hydroxide (lye) and sulfuric acid (battery acid), which can cause chemical burns from handling. In addition to PPE, industrial exhaust vents are needed to carry away dangerous vapors and provide for the safety of the lab operator. Emulsion acts like a sponge and carries color developer into the acidic color stop bath, generating poisonous hydrogen sulfide and sulfur dioxide fumes. Heat and any acid added to the ferricyanide bleach can liberate highly toxic cyanide gas, along with the forming of Prussian Blue deposits on film, reels and tanks. Simply bypassing the hazardous color stop bath and going into the ECN-2 bleach will oxidize the color developer remaining in the emulsion, and cause severe staining to the film. Safer B\u0026amp;W stop baths (e.g., citric or acetic acid) introduce byproducts that cause leuco-cyan dye problems in the red-sensitive emulsion layer (i.e., green images) and interfere with the bleaching step. Additionally, bleach carryover into the separate fixer causes the film to be mottled with smears of color. This is why the ECN-2 process also specifies Solution Crossover Devices with multi-stage countercurrent washes between steps. If you are going to follow the ECN-2 Specifications for Processing KODAK Motion Picture Films you must use all of the proper equipment as well. None of these byproducts occur in the CineStill Cs2 Process.\u003cbr\u003e\u003cbr\u003eWith the Eastman Color Negative process a Prebath step softens the rem-jet backing for removal and accelerates development. The removal must be done so that none of the backing material sticks to the emulsion surface, through the combined action of water jets and buffers contacting the base side, removing all of the backing and residual residue. The Color Developer agent reduces exposed silver halides in emulsion into metallic silver, oxidizing the dye couplers incorporated within each layer of the emulsion to produce color images. The Stop Bath halts development and prevents oxidation of the dye couplers when entering the bleach. The washes prevent chemical carryover between baths. Bleach converts metallic silver, formed during color development, to silver-halide compounds that can be removed by the fixer. Rapid Fixer then converts all silver-halide compounds to soluble silver thiosulfate complex salts that are removed from the film in the fixer and subsequent wash. The wash and Final Rinse removes residual soluble silver thiosulfate and chemicals from the film, and prevents water spots and biological growths.\u003c\/p\u003e\n\u003cp\u003eSee more at, www.kodak.com\/uploadedfiles\/motion\/h2407.pdf\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cimg height=\"480x480\" width=\"480x480\" style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screen_Shot_2020-12-10_at_7.39.29_PM_480x480.png?v=1607658081\"\u003e\u003c\/div\u003e\n\u003cp\u003eIf you already process your own black and white film, with this kit, there is no reason not to process color negative film at home as well! It is specially formulated without compromise for modern color films. All you need is heated water, a thermometer and any simple tank and reel system!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\"Limited Quantity Hazardous\" \u003c\/span\u003eitems cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Cs2 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs2_powder_instructions.pdf?v=1606784127\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Kit PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cs2 Powder SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs2_Chemistry_SDS.pdf?v=1739906223\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Powder Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart (16 rolls)","offer_id":37590933242028,"sku":"Cn2-P-1000ml","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cn2_PowderDeveloper_e14ec4d0-a1e1-47cb-9d5e-635d4483035c.jpg?v=1736791598"},{"product_id":"cinestill-film-gift-card","title":"Gift Card","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShopping for someone else but not sure what to give them? Give them the gift of choice with a CineStill Film gift card.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGift cards are delivered by email and contain instructions to redeem at checkout. No additional processing fees.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"$10","offer_id":37591025680556,"sku":"CS-giftcard-10","price":10.0,"currency_code":"USD","in_stock":true},{"title":"$25","offer_id":37591025713324,"sku":"CS-giftcard-25","price":25.0,"currency_code":"USD","in_stock":true},{"title":"$50","offer_id":37591025746092,"sku":"CS-giftcard-50","price":50.0,"currency_code":"USD","in_stock":true},{"title":"$100","offer_id":37591025778860,"sku":"CS-giftcard-100","price":100.0,"currency_code":"USD","in_stock":true},{"title":"$200","offer_id":37591025811628,"sku":"CS-giftcard-200","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/2025_HolidayGiftCard-1.jpg?v=1763678667"},{"product_id":"stainless-steel-film-clips","title":"Stainless Steel Film Clips","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFilm clips make film drying easy. These \u003cstrong\u003eStainless Steel Film Clips\u003c\/strong\u003e are rust-proof, have an easy hang hook, and are strong enough to hang all sizes of film. This pack includes two clips, one weighted and the other unweighted, to ensure your film is properly stretched when drying to achieve film flatness.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"2 pack","offer_id":39557192089772,"sku":"kinghome-film-clip-metal-2pk","price":8.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD03630-Edit_2c6eebbc-e7a8-45ca-a45d-4e041410811e.jpg?v=1722635396"},{"product_id":"stainless-steel-double-reel-tank","title":"Stainless Steel Double Reel Tank","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStainless steel has been a darkroom staple for many photo enthusiasts.  This \u003cstrong\u003eStainless Steel Developing Tank \u003c\/strong\u003efits two 35mm film reels or one 120\/220 film reel, not included. This tank does not accommodate plastic reels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe stainless steel construction is easy to clean, durable, and will withstand years of use. The lid is made from a tough, heavy-duty plastic that contains a tight-fitting plastic pouring cap. \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe metal body is highly conductive and rapidly responds to a temperature controlled water bath, allowing higher processing temperatures to be easily obtained and maintained. \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/stainless-steel-35mm-reels\" target=\"_blank\"\u003e\u003cstrong\u003eReels sold separately \u003c\/strong\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CineStill","offers":[{"title":"Stainless Steel","offer_id":39557200838828,"sku":"kinghome-steel-tank-16oz","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD03541-Edit_0e798956-5c5f-4bb8-b847-0cf0d750f11b.jpg?v=1726510353"},{"product_id":"replacement-pvc-top-for-stainless-steel-tank","title":"Replacement PVC Top","description":"\u003cp\u003eSometimes, parts get lost. But no worries, they can be replaced. This \u003cstrong\u003ePVC Top\u003c\/strong\u003e is a replacement top for stainless steel tanks.  This lid is light tight and contains a tight-fitting pouring cap.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"PVC Top","offer_id":39557194973356,"sku":"kinghome-replacement-top","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD03676-Edit_7a588cee-d34e-4525-815c-73de4cd766b1.jpg?v=1724193408"},{"product_id":"stainless-steel-35mm-reels","title":"Stainless Steel Reels","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStainless steel has been a darkroom staple for many photo enthusiasts. These durable \u003cstrong\u003eStainless Steel Reels \u003c\/strong\u003ecan last a lifetime. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe stainless steel construction makes it easy to clean. The film clips to the center of the reel and is gently rolled onto the reel in complete darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CineStill","offers":[{"title":"35mm Reel","offer_id":39298990571692,"sku":"kinghome-stainless-reel-35mm","price":14.99,"currency_code":"USD","in_stock":false},{"title":"120 Reel","offer_id":39298990604460,"sku":"kinghome-stainless-reel-120","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD03603-Edit_9019b196-94d6-4b9a-a320-448600e77de5.jpg?v=1726692802"},{"product_id":"stainless-steel-cartridge-opener-for-35mm-film","title":"Stainless Steel 35mm Film Cartridge Opener","description":"\u003cp\u003eDesigned to open your film canisters, the \u003cstrong\u003eCineStill 35mm Film Cartridge Opener\u003c\/strong\u003e is an essential tool that should not miss in your home-processing setup! The perforated hole allows you to either hang it to your darkroom wall or to your key chain, for carrying it everywhere you go. Use it to easily get the lid off the film c\u003cspan data-mce-fragment=\"1\"\u003eassette\u003c\/span\u003e for development (in a changing bag or darkroom) or to open up a bottle of your favorite beverage after a successful film processing session!\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"CineStill","offers":[{"title":"Cartridge Opener","offer_id":39513590890668,"sku":"cs-opener","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD00955-Edit_1de15d48-2567-4d39-a4e5-a6f7ca0083e4.jpg?v=1732672077"},{"product_id":"stearman-4x5-black-and-white-processing-starter-kit","title":"Stearman 4x5 Black and White Processing Bundle","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEverything you need to get started with 4x5 film processing\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis kit is the easiest way to get started processing your own black and white 4x5 film. Enjoy the magic of film development first hand and at an unbeatable price!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStearman Press set out to find an elegant and affordable solution for processing your own 4x5 film, launching the \u003cstrong data-mce-fragment=\"1\"\u003eSP-445 Film Tank\u003c\/strong\u003e. After several prototypes and lots of experimenting, the SP-445 processing system is the easiest for processing 4x5 sheet film and uses the least amount of chemicals. It will process up to four sheets of 4x5 film in only 16 ounces of solution.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SP-445 film tank can be loaded by simply sliding the 4x5 film onto the holders (in darkness). Then the holders are lined up and inserted into the tank and you are ready to develop your film in daylight. \u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eProcess up to four sheets of 4x5 film at a time\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUses 16 oz. (475ml) of solution \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEasy to load, just like a film holder \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDaylight safe\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFills and drains quickly \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInversion agitation for uniform development \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBuilt-in liquid level indicators\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEasy use of a thermometer during processing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRugged ABS plastic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIndustry standard O-ring seal\u003cbr\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCineStill Df96 “Developer\u0026amp;Fix” B\u0026amp;W Monobath, Single-Step Solution\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MG_6632_160x160.jpg?v=1574907786\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eProcessing all of your B\u0026amp;W film at home is easier than ever with this ready-to-use solution. This versatile Single-Step “Developer\u0026amp;Fix” monobath solution is perfect for processing CineStill BwXX along with any other black \u0026amp; white film in as little as 3 minutes, with no need for stop bath, fixer or any other chemicals. All you need is a processing tank and rinse water. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca title=\"Stearman 4x5 Processing Tank Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SP-445_Users_guide_two_page.pdf?v=1618857920\" data-mce-href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SP-445_Users_guide_two_page.pdf?v=1618857920\"\u003eDownload Stearman 4x5 Tank Complete Instructions \u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_instructions.pdf?10407520513295392991\" data-mce-href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_instructions.pdf?10407520513295392991\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_18OZ_instructions_Complete.pdf?1581\" title=\"Download Df96 18oz Instructions\" target=\"_blank\"\u003eDownload Df96 18oz. Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/10209_CINESTILL_DF96_MONOBATH_RTU_5.14.18.pdf?12527552589413978883\" title=\"CineStill Df96 Monobath SDS\" target=\"_blank\"\u003eDownload Df96 Liquid Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Ready-To-Use Liquid","offer_id":39529938649260,"sku":"Stearman-4x5-Start","price":104.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01170-Edit_4a9b6145-bd68-4de6-ab29-15b5fc9f9f01.jpg?v=1737753821"},{"product_id":"cs6-creative-slide-3-bath-kits-for-color-timing-chrome-reversal-and-e-6-film","title":"Cs6 \"Creative Slide\" Complete Bundle","description":"\u003cp\u003eWant to shoot slide film? Want it to be quick and easy to process? Want to still have creative control over how your images look? Introducing the CineStill Cs6 “Creative Slide” 3-Bath Process for simple creative control of your E-6 film. Chrome unlocked!\u003c\/p\u003e\n\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003c\/p\u003e\n\u003cp\u003eCineStill is proud to introduce the \u003cstrong\u003eCs6 “Creative Slide” Complete Bundle\u003c\/strong\u003e 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results in one bundle - the true wonder of slide film unlocked. This process illuminates unique color profiles never before seen on slide film, effectively turning the tried-and-true standard into 3 totally different films. The Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 to 3; \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 choices for a 1st Developer, a Color\u0026amp;Reversal bath, and a Bleaches\u0026amp;Fixer bath. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, you can \u003cstrong\u003echange the color profile of your slides \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eby choosing between 3 different 1st Developers\u003c\/span\u003e!\u003c\/strong\u003e With limited slide film options available today, CineStill's groundbreaking Cs6 chemistry \u003cstrong\u003e\u003cem\u003emultiplies\u003c\/em\u003e your choices\u003c\/strong\u003e, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewith a quick and easy process that gives you maximum creative control, making your slides superior to color-corrected negative scans without sacrificing flexibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis kit provides enough chemistry to process up to 32 rolls of film. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe kits include all the chemicals you need for the Cs6 process, including 3 different 1st developers, but all of the chemicals in the Cs6 line can also be purchased separately.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eBUNDLE INCLUDES \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1x \u003cstrong\u003eD9\u003c\/strong\u003e \u003cstrong\u003e“DynamicChrome” \u003c\/strong\u003e1st Developer\u003c\/li\u003e\n\u003cli\u003e1x\u003cstrong\u003e D6 “DaylightChrome”\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1st Developer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x\u003cstrong\u003e T6 “TungstenChrome\u003c\/strong\u003e” \u003cspan data-mce-fragment=\"1\"\u003e1st Developer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x \u003cstrong\u003eCr6 “Color\u0026amp;Reversal”\u003c\/strong\u003e 2-in-1 Reusable Slide Solution\u003c\/li\u003e\n\u003cli\u003e1x \u003cstrong\u003eBf6\u003c\/strong\u003e \u003cstrong\u003e“Bleaches\u0026amp;Fixer”\u003c\/strong\u003e 3-in-1 Reusable Slide Solution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_D9_LAriver_SkierNS_007__MG_8034_2048x2048.jpg?v=1589758554\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_D9_LAriver_SkierNS_007__MG_8034_2048x2048.jpg?v=1589758554\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-d9-dynamicchrome-1st-developer-bath-for-high-dynamic-range-slides-powder-8-16-rolls\"\u003e\u003cstrong\u003eD9 “DynamicChrome” Warm-Tone Dynamic 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD9 \"DynamicChrome\"\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the world’s most flexible 1st developer for slide film, rendering approximately 9+ stops of usable dynamic range, compared to approximately 6 stops with conventional E-6 processing (or\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6 \"DaylightChrome 1st Developer\u003c\/a\u003e\u003c\/strong\u003e) while m\u003cspan data-mce-fragment=\"1\"\u003eaintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eThe photographer has the choice between 3 dilutions; dilute 1+1 with water for warm-tone slides with 2+ stops of extended dynamic range, or for further preserved highlight detail\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand a more neutral color balance dilute 1+2 or 1+3\u003c\/span\u003e. D9 is perfect for high contrast scenes and is optimized for scanning. 1000ml stock solution makes 2000ml of single-use working solution \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1+1 Dilution)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto develop up to 16 rolls or 100ft of slide film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"0\"\u003eWarm-Tone Development:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1+1 Dilution ~ 9 min. 15 sec. at 104°f (40°C)\u003cbr\u003e\u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"2\"\u003eExtended Highlight Latitude: \u003c\/span\u003e\u003c\/strong\u003e1+2 Dilution ~ 11 min. at 104°f (40°C)\u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"4\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"4\"\u003ePull -1 (overexposed film):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e 1+3 Dilution ~ 13 min at 104°f (40°C)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eFor push processing we recommend our\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\" title=\"DaylightChrome (NEUTRAL-TONE) 1ST DEVELOPER\"\u003eD6\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-up-to-16-rolls\" title='\"TungstenChrome\" (COOL-TONE) 1ST DEVELOPER'\u003eT6\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1st Developers.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-8-16-rolls\"\u003e\u003cstrong\u003eD6 “DaylightChrome” Neutral-Tone 5500K 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRenders approximately 6+ stops of usable dynamic range, with brighter whites and moderately enhanced color saturation, just like conventional E-6 processing. Daylight-balanced 5500K for neutral-tone slides in daylight or with electronic flash. 1000ml stock solution makes 2000ml of single-use working solution (1+1 Dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 2min @104°F (40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-8-16-rolls\"\u003e\u003cstrong\u003eT6 “TungstenChrome” Cool-Tone 3200K 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRenders approximately 6+ stops of usable dynamic range. Tungsten-balanced 3200K for artificial light or cool-tone E100\u003cem\u003eT\u003c\/em\u003e slides. Also, works great for push processing in limited light! 1000ml stock solution makes 2000ml of single-use working solution (1+1 Dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 6min @104°F (40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-cr6-color-reversal-2-in-1-slide-solution-liquid-16-rolls\"\u003e\u003cstrong\u003eCr6 “Color\u0026amp;Reversal” Color Developer \u0026amp; Reversal Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the reversal step occurs during color development in our Cr6 “Color\u0026amp;Reversal” bath, which comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ea \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eliquid concentrate to make 1 quart of \u003c\/span\u003ereusable solution capable of reversing 16+ rolls of developed slide film. Stock \u0026gt; 6min @ 80 -104°F (27-40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-bf6-bleaches-fixer-3-in-1-slide-solution-liquid-24-rolls\"\u003e\u003cstrong\u003eBf6 “Bleaches\u0026amp;Fixer” Pre-Bleach \u0026amp; Blix Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the bleach and conditioner steps are combined with the fixing step in our Bf6 “Bleaches\u0026amp;Fixer” bath, which comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ea \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eliquid concentrate to make 1 quart of\u003c\/span\u003e reusable solution capable of clearing 24+ rolls of slide film. Stock \u0026gt; 6-10min @ 75 -104°F (23-40°C).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* ”Usable dynamic range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic range. The usable dynamic-range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Considerations:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis product is classified \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to Department of Transportation (DOT) regulations. Please take a look at our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/dealers\"\u003eDealers\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003epage to see if there is a CineStill Dealer near you that may carry the Cr6 solution or Cs6 kits. Note: Cs6 kits cannot be shipped to PO boxes and ship separately with their own tracking number.\u003c\/p\u003e\n\u003cp\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D9_Bridge_SkierNS_003__MG_7982_2048x2048.jpg?v=1589852865\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D9_Bridge_SkierNS_003__MG_7982_2048x2048.jpg?v=1589852865\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_LukeBike_SkierNS_010__MG_7993_2048x2048.jpg?v=1589794368\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_LukeBike_SkierNS_010__MG_7993_2048x2048.jpg?v=1589794368\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_2048x2048.jpg?v=1589851068\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_2048x2048.jpg?v=1589851068\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/d9-dynamicchrome-vs-e6-dynamic-range\"\u003eLatitude for Days - D9 DynamicChrome vs. E6 Dynamic-Range...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" target=\"_blank\" rel=\"noopener\"\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/a\u003e \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cs6 SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs6_Creative_Slide_Complete_SDS.pdf?v=1742247248\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs6 Complete Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Complete Bundle (D9, D6 and T6)","offer_id":39931708244140,"sku":"Cs6-3-3_2_1","price":74.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-071_023e8896-3c2a-4279-b421-195163b6ee63.jpg?v=1735684402"},{"product_id":"redrum-red-scale-color-negative-film-iso-200-120-roll","title":"REDRUM 120 Red Scale Color Negative Film, ISO 200 120 Roll","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHeeere's\u003c\/span\u003e REDRUM!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll work and no play makes film a dull photo. Try experimenting with REDRUM 120 medium format red scale film.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cem\u003e\u003cstrong\u003eLimited run, while supplies last. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCome and play with this limited edition, u\u003cspan\u003enique color negative film that has been reverse-rolled for exposing through the base of the film, rather than directly to the emulsion. Enter room 237 to produce dramatic red, yellow, and orange toned images.\u003c\/span\u003e \u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eProduced using CineStill’s 800T emulsion, this film is uniquely appropriate for red-scale photography because there is no anti-halation layer to disrupt the light, resulting in higher speed (ISO 200), better sharpness and color.\u003c\/p\u003e\n\u003cp\u003eGet this limited edition film while you can because you won't be able to shoot it forever, and ever, and ever. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor negative film\u003c\/li\u003e\n\u003cli\u003eRed scale film - monochromatic red, yellowish hues\u003c\/li\u003e\n\u003cli\u003e120 medium format\u003c\/li\u003e\n\u003cli\u003eEI 200\u003c\/li\u003e\n\u003cli\u003eSafe for C-41 photo lab processing\u003c\/li\u003e\n\u003cli\u003eFactory spooled\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":40398963638444,"sku":"REDRUM-120","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD04061-Edit_c91d11b8-1d56-454a-b685-85d96a04ab10.jpg?v=1724271191"},{"product_id":"cable-release-16","title":"Cable Release 16\"","description":"\u003cp\u003eTrigger your camera's shutter remotely with the \u003cstrong data-mce-fragment=\"1\"\u003eCineStill Cable Release 16\".\u003c\/strong\u003e At 16\" in length, it's the perfect size for most applications. The cable release is vinyl-covered for a great combination of flexibility and protection. A rotating T-Lock allows the shutter to be locked open while the plunger is depressed, allowing for long exposures without having to physically hold the plunger down the entire time. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Cable Release","offer_id":41177001230508,"sku":"kinghome-cable-release-16","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Shutter_Release_Cable_925f9432-4e33-4d3d-ad97-b7cf77d84a06.jpg?v=1726096664"},{"product_id":"duster-silicone-black","title":"Dust Blower","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNothing spoils the results of your artistic efforts when scanning or printing like dusty film negatives. Blow off dust and particles from the surface of your film with the \u003cstrong\u003eCineStill Dust Blower. \u003c\/strong\u003eMade of flexible black silicone, it is very powerful and easy to use \u003c\/span\u003efor cleaning negatives or other photographic equipment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e​​​​​\u003cbr data-mce-fragment=\"1\"\u003e\u003cscript\u003eif(function rt(){return!!window.Ember||(!!window.Vue||(!!window.Meteor||(!(!window.React\u0026\u0026!document.querySelector(\"[data-reactroot], [data-reactid]\"))||!!(window.angular||document.querySelector(\".ng-binding, [ng-app], [data-ng-app], [ng-controller], [data-ng-controller], [ng-repeat], [data-ng-repeat]\")||document.querySelector('script[src*=\"angular.js\"], script[src*=\"angular.min.js\"]')))))}()){window.postMessage({singlePageAppCheck:true})}else{window.postMessage({singlePageAppCheck:false})}\u003c\/script\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Blower","offer_id":41177025806508,"sku":"kinghome-blower-black","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/BlackBlower_f45e06d8-e8c5-47f1-8d14-c5f01e824a14.jpg?v=1683325937"},{"product_id":"filmmaker-patch","title":"Film Maker Patch","description":"What better way to let the world know that you still believe in film, than with our official Film Maker patch?  With its striking details and bold colors, this iron-on patch can be easily applied to any fabric, completing your analog photographer look. \n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Filmmaker Patch","offer_id":41339025621164,"sku":"cs-filmmaker-patch-1","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/FilmMaker_Patch.jpg?v=1721326306"},{"product_id":"filmmaker-pin","title":"Film Maker Pin","description":"The CineStill Film Maker Pin is the official badge of honor to showcase your contribution to the analog renaissance. This 1-inch button sized metal enamel pin is the perfect accessory to highlight your favorite jacket, hat, and even your camera bag. \n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Film Maker Pin","offer_id":41339018608812,"sku":"cs-filmmaker-pin-1","price":4.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/FilmMaker_Pin_16099b16-796c-4cfb-888f-441cc72286be.jpg?v=1685562113"},{"product_id":"cs-litecamera-scanning-light-source-1","title":"CS-LITE Camera Scanning Light Source","description":"\u003cp\u003e\u003cstrong\u003eFILM SCANNING BRIGHTER THAN EVER: Introducing the CineStill CS-LITE!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn affordable, easy-to-use light source for digital camera scanning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb data-stringify-type=\"bold\"\u003eCS-LITE Camera Scanning Light Source\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eis a compact LED light source specifically \u003c\/span\u003e\u003cspan\u003edesigned to provide film photographers with higher-quality light output and improved color management when\u003c\/span\u003e\u003cspan\u003e scanning their favorite 35mm and medium format films with a digital camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe CS-LITE features a CRI of 95+ for high color accuracy and a brightness of EV 15+ to provide sufficient illumination for even the densest of negatives. What sets the CS-LITE apart from other light sources on the market is its ability to adjust color temperatures to properly suit different types of film, such as color negative, color positive, and B\u0026amp;W. These are controlled directly from the built-in remote control of the CS-LITE.\u003cbr\u003e\u003c\/p\u003e\n\u003ctable style=\"width: 100%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCS-LITE Color Temperature:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003e\u003cstrong\u003eCalibrated for:\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #00aaff;\"\u003eCool Light mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eColor Negative film\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cstrong\u003eWhite Light mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eB\u0026amp;W film, Slide film processed in CineStill D9 DynamicChrome 1st Developer 1:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003eWarm Light mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eSlide film processed in standard E6 chemistry or CineStill D6 DaylightChrome 1st Developer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003eThe \u003cstrong\u003eCool Light mode\u003c\/strong\u003e reduces the orange mask that is present in color negative film like CineStill 800T, 400D, and 50D, providing color-balanced scans with better color separation and less noise.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"1\"\u003eWhite Light mode\u003c\/span\u003e\u003c\/strong\u003e is ideal for scanning B\u0026amp;W, as well as slide film that has been processed with the warm-tone 1:1 dilution of the CineStill D9 DynamicChrome 1st Developer.\u003c\/p\u003e\n\u003cp\u003eLastly, the \u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"1\"\u003eWarm Light mode\u003c\/span\u003e \u003c\/strong\u003eis perfect for scanning \u003cmeta charset=\"utf-8\"\u003eslide film that has been processed with standard E6 chemistry (or the CineStill D6 DaylightChrome 1st Developer), as the tungsten-balanced light can produce richer tones and enhanced color separation, especially within the red channel.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003ca title=\"CS-LITE Color Modes Make Camera Scanning Better\" href=\"\/blogs\/news\/why-the-cs-lite-color-modes-important-for-camera-scanning\"\u003eARTICLE: WHY THE CS-LITE COLOR MODES ARE IMPORTANT FOR CAMERA SCANNING\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cspan data-token-index=\"0\" class=\"discussion-level-1 discussion-id-9dbc9177-32f1-43b4-b92c-061c6e226aca notion-enable-hover\" data-reactroot=\"\"\u003eCS-LITE also pairs perfectly with the include CS-LiteMask as well as the additional \u003cstrong\u003e\u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003eCS-LiteBrite+\u003c\/a\u003e\u003c\/strong\u003e (sold separately).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCS-LiteMask\u003c\/strong\u003e is our universal film carrier mask that pairs with pre-existing film carriers like those made by VALOI, \u003cmeta charset=\"utf-8\"\u003eNegative Supply, Lomography, and more. Masking around the edges of the carrier helps to eliminate excess spill light, reducing unwanted reflections and maintaining uniformity across the entirety of your scans. The VALOI 360 film carriers fit perfectly into the mask, creating a compact, stabilized digitizing platform. \u003cstrong\u003eThe CS-LiteMask comes included with the CS-LITE.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003eCS-LiteBrite+\u003c\/a\u003e \u003c\/b\u003e\u003cspan\u003eis a set of\u003c\/span\u003e\u003cspan\u003e 2 light enhancement sheets designed to increase directional light output for camera scanning through collimation, which reduces spill light and enhances diffusion uniformity, \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eand our NEW Color Negative Calibration Sheet which increases color accuracy when scanning color negative film. \u003c\/span\u003eA single CS-LiteBrite+ sheet placed directly on any diffused light source will increase brightness by more than 60%. Stacking both sheets in the correct orientation yields 130% increased light output for diffused light sources. That’s \u003cstrong\u003e2.3X\u003c\/strong\u003e (about one stop) brighter, resulting in sharper and higher quality scans. \u003c\/span\u003e\u003cstrong\u003eThe CS-LiteBrite+ \u003cspan style=\"text-decoration: underline;\"\u003eis not\u003c\/span\u003e included with the CS-LITE.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cbr\u003eIncludes: \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e1x CS-LITE Light Source\u003cbr\u003e1x \u003cspan\u003eCS-LiteMask\u003c\/span\u003e Universal Carrier Mask\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eExternal Unit Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLength: 6.5 in\u003cbr\u003eWidth: 4.4 in\u003cbr\u003eHeight: 0.8 in\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIlluminated Area Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLength: 5 7\/8 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: 3 3\/4 in\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE_Instruction_2022.pdf?v=1668714849\" title=\"CS-Lite Complete Instructions\"\u003e\u003cstrong\u003eDownload CS-LITE Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c!-- notionvc: 1e5fbed7-e892-49b7-a46e-c8960560b709 --\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c!-- notionvc: ce681754-4a7c-422d-80c4-7526f897891e --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c!-- notionvc: 1234f5f7-da69-4ce4-8201-950f1ca120f1 --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"CineStill","offers":[{"title":"95 CRI","offer_id":42245876646060,"sku":"CS-LITE-V1","price":44.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_5_controller_65050ee9-1a15-4dd5-8ff8-d5d868c81384.jpg?v=1737485640"},{"product_id":"cs-litebrite-light-collimating-sheets","title":"CS-LiteBrite+ 2.3x Light Enhancement \u0026 Color Negative Calibration Sheets","description":"\u003cp\u003e\u003cstrong\u003eFILM SCANNING BRIGHTER AND MORE ACCURATE THAN EVER: Introducing the CineStill CS-LiteBrite+ 2.3x Light Enhancement \u0026amp; Color Negative Calibration Sheets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn affordable, easy way to upgrade your light source for digital camera scanning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb data-stringify-type=\"bold\"\u003eCS-LiteBrite+ \u003c\/b\u003ec\u003cspan\u003eontains 2 light enhancement sheets \u003c\/span\u003eand 1 color negative calibration sheet.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThe light enhancement sheets are\u003c!-- notionvc: 68528e19-6ecd-4750-a436-73c0ab44ca72 --\u003e\u003c\/span\u003e\u003c!-- notionvc: f30908b5-6c7d-43f9-bbdb-1fdd94b93501 --\u003e designed to increase directional light output for camera scanning, which reduces spill light and enhances diffusion uniformity. Use a single CS-LiteBrite+ sheet placed directly on any diffused light source to increase brightness by more than 60%, or use both sheets correctly to get 130% increased light output for diffused light sources. That’s \u003cstrong\u003e2.3X\u003c\/strong\u003e brighter, resulting in sharper and higher quality scans. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eAdditionally, the NEW Color Negative Calibration Sheet increases color accuracy with color negative film, allowing for higher fidelity inversion of negatives, making converting color negatives a breeze. Slide the color negative calibration sheet underneath the light enhancement sheets for enhanced color accuracy with color negative film. \u003c\/span\u003e\u003c!-- notionvc: b99a6d0d-8e3c-44ea-a1b6-d4c574fd0d71 --\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThese sheets work with 35mm, 120, and 4x5 film holders. Simply place on the surface of any diffused light source centered under the film holder. \u003c\/span\u003e\u003c\/span\u003eThough these sheets do not need to cover the entire light surface, they can be trimmed (as needed) to fit the dimensions of smaller light sources. A protective film on both sides of each sheet must be removed prior to use. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_Brite__Example_2272800f-db36-41c0-82a1-f789047289fc.jpg?v=1748454771\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSTEPS:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrim\u003c\/strong\u003e to fit on light source (as needed)\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite_V2_Cut.gif?v=1753737442\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeel\u003c\/strong\u003e off protective film from both sides of Light Enhancement Sheets\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite_V2_Peel.gif?v=1753737456\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlign\u003c\/strong\u003e all sheets using notches in top right with the optional Color Negative Calibration Sheet on bottom \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite_V2_Place.gif?v=1753737456\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrient\u003c\/strong\u003e sheets flat on surface of light, centered under film holder to enhance directional light\u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003ch3\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Light Collimating Sheet","offer_id":42473150021804,"sku":"CS-LITEBRITE-PLUS","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite__V2_1_383901ed-ff48-4891-9b09-6f40ea15b88f.jpg?v=1749481279"},{"product_id":"heritage-hoodie","title":"Heritage Champion Hoodie","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eIntroducing the \u003cstrong\u003eCineStill Heritage Collection\u003c\/strong\u003e, in collaboration with Golden Supply \u0026amp; Mfg. Co.\u003c\/em\u003e \u003c\/span\u003e\u003cem\u003eThis collection was created as a tribute to the legacy of manufacturing that shaped the cities we call home, and the craftspeople that continue in these traditions today.\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eGolden Supply \u0026amp; Mfg. Co. is a small-batch handmade goods manufacturer based in Rochester, New York whose \u003c\/span\u003e\u003cspan\u003eteam of skilled artisans selects high-quality materials and uses a mix of modern and traditional techniques to create products\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ethat echo the craftsmanship of yesteryear's industrial clothing manufacturers in the bustling garment district. Th\u003c\/span\u003e\u003cspan\u003eey have worked with several small, local and large, international brands to create apparel that is both beautiful and built to last.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eEach piece is crafted with the same attention to detail and quality that has been cherished through the ages.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCineStill \u003c\/strong\u003e\u003cstrong\u003eHeritage Champion Hoodie\u003c\/strong\u003e is a nod to the legacy of manufacturing in Rochester, New York, the birthplace of both photographic film and the hooded sweatshirt. While founded in Los Angeles, CineStill's first significant step in becoming a large-scale film manufacturer was with the introduction of 120 film in 2016, which coincided with the expansion to a production space in Rochester. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIncorporating several pieces of local history with an iconic apparel brand that also originated in the city felt like a perfect match.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"margin-top: 16px; margin-bottom: 16px; float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/20240820-000098510002.jpg?v=1728946366\"\u003e\u003c\/div\u003e\n\u003cp\u003eFor the apparel embellishment, Golden Supply turned back the clock to the 1930s, a pivotal era for Champion as it rose to prominence in the knitted goods and athletic wear industries. During this time, displaying school spirit often involved cutting and sewing letters from wool felt—an accessible material that became synonymous with classic apparel embellishment techniques for generations.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"margin-top: 16px; margin-bottom: 16px; float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Heritage_Hoodie_LifeStyle_2_480x480.jpg?v=1728941852\"\u003e\u003c\/div\u003e\n\u003cp\u003eToday, each letter is precisely cut with a laser, placed onto the garment, and heat-pressed into position. Reminiscent of the methods used in the past, straight-stitch sewing machines are operated by skilled seamstresses to carefully stitch down each letter, ensuring that the hoodie is not only visually striking but also durable enough to last for years. The hoodie itself is a 50\/50 cotton \u0026amp; polyester blend. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIf we don't have this product in a size you like, you can \u003ca href=\"mailto:support@cinestillfilm.com?subject=Heritage%20Hoodie%20Size%20Request\" rel=\"noopener noreferrer\" target=\"_blank\"\u003erequest a size by emailing us here\u003c\/a\u003e and we'll do our best to a\u003cspan class=\"text-[1.5rem] ml-6 font-medium clear-both\" data-v-79364ad8=\"\"\u003eccommodate\u003c\/span\u003e.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/HeritageCollection_BTS_5.jpg?v=1728943859\" style=\"margin-top: 16px; margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003c!-- notionvc: f0b099fd-9157-4021-98ec-e6417e039be0 --\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Black \/ S","offer_id":43869211525292,"sku":"cs-ap-heritage-hoodie-blk-s","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Black \/ M","offer_id":43481885704364,"sku":"cs-ap-heritage-hoodie-blk-m","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Black \/ L","offer_id":43481885737132,"sku":"cs-ap-heritage-hoodie-blk-l","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Black \/ XL","offer_id":43481885769900,"sku":"cs-ap-heritage-hoodie-blk-xl","price":49.99,"currency_code":"USD","in_stock":false},{"title":"Red \/ S","offer_id":43481885802668,"sku":"cs-ap-heritage-hoodie-red-s","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Red \/ M","offer_id":43481885835436,"sku":"cs-ap-heritage-hoodie-red-m","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Red \/ L","offer_id":43481885868204,"sku":"cs-ap-heritage-hoodie-red-l","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Red \/ XL","offer_id":43481885900972,"sku":"cs-ap-heritage-hoodie-red-xl","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Black \/ 2XL","offer_id":43920365551788,"sku":"cs-ap-heritage-hoodie-blk-2xl","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Red \/ 2XL","offer_id":43920366043308,"sku":"cs-ap-heritage-hoodie-red-2xl","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Heritage_Hoodie_LifeStyle_5_f8e8cd71-75dd-4b22-92f8-911c67ca53e0.jpg?v=1734998568"},{"product_id":"heritage-pennant","title":"Heritage Pennant","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eIntroducing the \u003cstrong\u003eCineStill Heritage Collection\u003c\/strong\u003e, in collaboration with Golden Supply \u0026amp; Mfg. Co.\u003c\/em\u003e \u003c\/span\u003e\u003cem\u003eThis collection was created as a tribute to the legacy of manufacturing that shaped the cities we call home, and the craftspeople that continue in these traditions today.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGolden Supply \u0026amp; Mfg. Co. is a small-batch handmade goods manufacturer based in Rochester, New York whose \u003c\/span\u003e\u003cspan\u003eteam of skilled artisans selects high-quality materials and uses a mix of modern and traditional techniques to create products \u003cmeta charset=\"utf-8\"\u003ethat echo the craftsmanship of yesteryear's industrial clothing manufacturers in the bustling garment district. Th\u003c\/span\u003e\u003cspan\u003eey have worked with several small, local and large, international brands to create apparel that is both beautiful and built to last. \u003cmeta charset=\"utf-8\"\u003eEach piece is crafted with the same attention to detail and quality that has been cherished through the ages.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCineStill Heritage Pennant \u003c\/strong\u003eis a timeless tribute to the spirit of craftsmanship in Rochester, NY. Made from 100% wool felt, this 9x27 in. vintage-inspired pennant is handcrafted by Golden Supply \u0026amp; Mfg. Co., embodying the tradition of quality that defined the city’s manufacturing legacy. From the 1890s, when Rochester was one of the largest garment producers in America, to today, this pennant symbolizes pride in local production. Hang it up with pride, knowing you're holding a piece of Rochester’s industrial heritage— a city that continues to inspire innovation in both film and felt.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"margin-top: 16px; margin-bottom: 16px; float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/HeritageCollection_BTS_1.jpg?v=1728943037\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003c!-- notionvc: c793e260-7447-4c94-9ca9-c54d33e4146a --\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Heritage Pennant","offer_id":43857920753836,"sku":"cs-heritage-pennant-1","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Heritage_Pennant_1_db542907-2b77-4913-b538-f745ab19954d.jpg?v=1764365843"},{"product_id":"cs-negative-convert-tools","title":"CS Negative+ Convert Tools v1.2","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/2025_CSNEGATIVE_horizontalV1.png?v=1750040484\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eConverting your negatives doesn’t need to be complicated or time consuming. Our\u003cstrong\u003e CS Negative+ Convert Tools \u003c\/strong\u003eare designed to make film conversion easy, accurate, and enjoyable. Inspired and informed by the characteristic spectral sensitometric curves of traditional RA-4 darkroom prints and motion picture cinema projection prints. Built utilizing our SpectraCOLOR\u003cspan\u003e™ technology, d\u003c\/span\u003eeveloped over years of research to help improve digital camera scanning. These tools are designed to match the unique spectral dye-density curves of color negative print films to the RAW digital photography workflow, preserving the natural beauty of film as originally intended.  \u003c\/p\u003e\n\u003cp\u003eThese \u003cstrong\u003eFREE\u003c\/strong\u003e negative conversion tools live and work in the presets panel of Adobe Camera Raw in Bridge or Photoshop and in all current versions of Lightroom – including Lr Mobile (which is \u003cstrong\u003eFREE\u003c\/strong\u003e to use with cloud shared photos, or imported raster bitmap\/JPEG\/TIFF\/HEIF and DNG\/ProRAW files) – allowing for quick, integrated and non-destructive access to multiple color models and intuitive tools, while completely preserving native editing controls as well as all original RAW file data. This allows images to be easily shared or opened again in any Adobe CC applications at any time for further editing. \u003c\/p\u003e\n\u003cp\u003ePlease also consider selecting an option from the “Download” drop-down to make a contribution to help fund continued R\u0026amp;D and support for these tools as well as developing (pun intended) new technology to make digitizing your film easier and better!\u003cbr\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screenshot_2025-07-23_at_2.53.35_PM.png?v=1753307835\"\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c!-- notionvc: 0e7b4e4d-b7f3-4aa8-a738-a844166403a7 --\u003e\u003c\/p\u003e\n\u003ch2\u003eIncludes:\u003c\/h2\u003e\n\u003cp\u003eThe CS \u003cb\u003eNegative+ Convert \u003c\/b\u003e(START) presets group offers all of the Color Models to choose from which convert the negatives to positives and set the -+ Tools to their best starting points.\u003c\/p\u003e\n\u003cul class=\"ul2\"\u003e\n\u003cli class=\"li1\"\u003eThe “\u003cb\u003ePRINT\u003c\/b\u003e” Color Models are optimized for working with a “COOL” (9000ºK+) light source – like our \u003cstrong\u003e\u003ca href=\"\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003eCS-LITE+ SpectraCOLOR\u003cb\u003e™ \u003c\/b\u003elight source\u003c\/a\u003e\u003c\/strong\u003e, the \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCS-Lite\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eon the “COOL” light mode, or any white light source paired with our \u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eCS-LiteBrite+\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e and the included Color Negative Calibration Sheet – to match traditional RA4 and cinema projection prints. The “PRINT” models allow for the better use of native “Edit” adjustment tools in Adobe CC resulting in higher fidelity and increased color accuracy with color negative print film.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe “\u003cb\u003eSCAN\u003c\/b\u003e”\u003cb\u003e \u003c\/b\u003eColor Models may allow for easier conversion of color negatives scanned using cooler (6000-9000ºK) white light sources, and are designed to emulate commercial lab film scanners (which emulate traditional darkroom prints). These color models have many of the “-+ TOOLS” already applied to some extent to help reduce the orange mask in color print film and compensate for color crosstalk caused from high-CRI LEDs.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe \u003cb\u003e“CONVERT” \u003c\/b\u003eColor Models are optimized for warmer (below 6000ºK) white light sources – like basic light boxes\/panels and video lights – and also help to reduce color casts in highlights and shadows, caused from poor quality light or oddball\/expired\/poorly exposed films. These color models have even more of the “-+ TOOLS” already applied including COLOR “Filters” and have a more subdued color pallet, reminiscent of Noritsu, Pakon or home film scanners.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe\u003cb\u003e \u003c\/b\u003eCS \u003cb\u003eNegative+ Tools \u003c\/b\u003e(PROCESS) presets group offers more fine adjustments of the color model chosen for your negative conversions, many of which have been already applied to some extent in the CS Negative+ Convert (START)\u003cb\u003e \u003c\/b\u003ecolor models.\u003c\/p\u003e\n\u003cp\u003eThe\u003cb\u003e \u003c\/b\u003eCS \u003cb\u003eNegative+ “BASIC” Convert Tools\u003c\/b\u003e presets group is a combination of the SCAN and CONVERT Color Models and Tools from the above preset groups for a quicker workflow or those just getting started.\u003c\/p\u003e\n\u003cp\u003eThe\u003cb\u003e \u003c\/b\u003eCS \u003cb\u003eNegative+ “LITE” Convert Tools \u003c\/b\u003epresets group is a refined and more robust combination of 3 Standard Color Models and Tools for a simple workflow with a little more control.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSample DNG\u003c\/b\u003e raw files and exported JPGs to practice with.\u003c\/p\u003e\n\u003cp\u003eFour \u003cb\u003eLUTs\u003c\/b\u003e which can be used with a compatible monitor or software to allow for live previews for “PRINT”, “SCAN”, “CONVERT” and “SILVER” color models.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRich Text Format\u003c\/b\u003e instructions with descriptions of all tools. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA download link will be provided to your email at checkout.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 402161ea-3d76-4770-ba98-6512458f018e --\u003e\u003c\/p\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eInstallation:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFor Adobe Camera Raw in Bridge (Br) or Photoshop (Ps), Lightroom (Lr), Lightroom Classic (LrC), and Lr Mobile (FREE with standard bitmap JPEG\/TIFF\/HEIF or DNG\/ProRAW files) :\u003c\/b\u003e \u003cbr\u003eOpen any raw photo and go to the “Presets” (two circles overlapping) panel (this is where the -+ CS Negative+ Convert Tools will live), click on the ellipses “…” and then click “Import Presets.” Select the .ZIP file (located in the folder you downloaded) starting with “-+” and import.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eAlternatively…\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFor Lightroom Desktop (Lr) or Lightroom Classic (LrC):\u003c\/b\u003e \u003cbr\u003eSimply go to File and select “Import Profiles \u0026amp; Presets.” Select the .ZIP file (located in the unzipped folder you downloaded) starting with “-+” and import. Now you can locate your RAW files you wish to convert in Lr or in Br. These tools will live in the “Presets” (two circles overlapping) panel in all Adobe software.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: a68bcd55-fc0c-4aed-b58c-4316addca9d9 --\u003e\u003c\/p\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eTo use:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e1. Select your image\u003c\/b\u003e(s) and go to the “Presets” panel tab (two circles overlapping in Lr, Lr Mobile \u0026amp; Camera Raw in Br and Ps). In Br, select your RAW files and choose “Open in Camera Raw”. Open any RAW files in Ps and they will open directly in Adobe Camera Raw.\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screenshot_2025-06-24_at_10.33.53_PM.png?v=1750834659\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2.\u003c\/strong\u003e \u003cstrong\u003eConvert:\u003c\/strong\u003e Choose your preferred “-+ Convert” Color Model START point from the options beginning with “\u003cb\u003e-+\u003c\/b\u003e”. You can reset the Color Model at anytime by selecting one again.\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screenshot_2025-06-24_at_11.14.24_PM.png?v=1750834804\" alt=\"\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003ci\u003eYou can also favorite (*) any Color Model to be able to easily access its develop settings directly in Br, or the Favorites group in Lr.\u003c\/i\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe “\u003cb\u003ePRINT\u003c\/b\u003e”, “\u003cb\u003eSCAN\u003c\/b\u003e” \u0026amp; “\u003cb\u003eCONVERT\u003c\/b\u003e” color models each have their own unique looks and simple workflows:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003e\n\u003cspan class=\"s1\"\u003eThe “\u003cb\u003ePRINT\u003c\/b\u003e” Color Models emulate the true colors and process of a darkroom paper or cinema film projection prints and are best if you want to preserve maximum fidelity using the native “Edit” tools. This model performs best with a COOL light source (9000K+), like the \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eCS-Lite\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e on the “COOL” light mode, or with a white light source with our \u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eCS-LiteBrite+\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eand the included Color Negative+ Calibration Sheet, which helps reduce the orange mask to get a neutral start point.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003eThe “\u003cb\u003eSCAN\u003c\/b\u003e” Color Models allow for cooler (6000-9000ºK) white light sources and emulate the results from film lab scanners.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe \u003cb\u003e“CONVERT”\u003c\/b\u003e Color Model is designed to help reduce color casts caused by warmer (below 6000ºK) white light sources, oddball\/expired film, overexposure, or poor processing and emulates film scanners.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e“\u003cb\u003eLOG\u003c\/b\u003e” gives a flat invert start point for cross processed slides and “odd” or “difficult” negatives, especially high contrast films like Phoenix. This Color Model requires that more of the “TOOLS” below be applied manually instead of having them already applied like the other Convert start points. More of a raw option due to more manual edits.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003e“\u003cb\u003eSILVER\u003c\/b\u003e” is for black and white conversions of color or black and white negatives. The ”TOOLS” below can be used to adjust exposure, contrast and tones, but the color dependent “TOOLS” should not be used.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e3. Density Check:\u003c\/strong\u003e After selecting your “Convert” Color Model, you may need to EDIT the native “Exposure” setting (which will adjust the brightness of your light source to a usable density) if the image appears too dark or too light. (Exposure and WB should always be set after choosing your color model.)\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.39.45PM.jpg?v=1750727652\"\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c!-- notionvc: 20904d15-7cea-4b71-bddb-e3ab179c5c01 --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cstrong\u003e4. Next, set your initial WB\u003c\/strong\u003e \u003c\/span\u003eand adjust the Color Temp, Tint and Exposure to taste. There are two basic methods for setting your initial white balance after selecting your START point\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith WB on “\u003cb\u003ePRINT\u003c\/b\u003e” color models:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eInitial white balance may be set by using the White Balance eyedropper (”W” or “I” keyboard shortcut) on a neutral mid-tone and then balanced further using the Basic (Light and Color) “Temperature,” “Tint,” and “Exposure” sliders in the native Develop\/Edit Panel. The image can then be fine tuned to taste by using the native develop tools and\/or by continuing to the “-+ CS Negative+ Tools” (Basic -+ \u0026amp; Color -+) in the Presets panel to fine tune (PROCESS) the color model\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.40.07PM.jpg?v=1750727653\"\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e*\u003c\/em\u003e\u003ci\u003eNote: If your image is still too cool after setting WB, try increasing the “COLOR -+ 85\/Warming Filter” TOOL to warm up the image and consider purchasing our “\u003c\/i\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-litebrite-130-light-collimating-sheets\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eCS-LiteBrite+\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e\u003ci\u003e” with the Color Negative+ Calibration Sheet\u003c\/i\u003e\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWith WB on “\u003cb\u003eSCAN\u003c\/b\u003e” \u0026amp; \u003cb\u003e“CONVERT” \u003c\/b\u003ecolor models:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe quick and easy way is to set your WB within the SCAN color models is by going directly down to the “-+ CS Negative+ Tools”, selecting “BASIC -+ Auto WB Adjust” and using the slider for a rough WB start point. Your color model can then be fine adjusted as needed using the “BASIC -+ Fine Adjust…” tools below.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.33.36PM.jpg?v=1750727653\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlternatively, if you wish to more easily switch between SCAN color models without resetting your color balance, WB may be selected in the native Develop\/Edit Panel by either choosing “White balance: Auto” or using the White Balance eyedropper tool (”W” or “I” keyboard shortcut) on a dark shadow point. WB and exposure can then be fine tuned to taste by using either the Basic (Light and Color) sliders in the native Develop\/Edit Panel and, if additional fine adjustments are needed, continuing to the “-+ CS Negative+ Tools” and using the “Basic -+ \u0026amp; Color -+” tools in the Presets panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.41.13PM.jpg?v=1750727653\"\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e*Note: If your image is too warm after setting WB try reducing the “COLOR -+ 85\/Warming Filter” TOOL (this is turned on by default with the “SCAN” models) or switch to a “PRINT” color model.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003eA more “advanced” or “controlled” workflow for the “SCAN” color models:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAfter setting a general WB using either method above, the “Exposure” and “Contrast” sliders in the native Develop\/Edit Panel behave a bit differently in these color models so that “Exposure” can be used to set your shadow point and “Contrast” to set your highlight point, similar to Levels in Photoshop. With this approach, the “BASIC – Neutral Density Fine Adjust” -+ TOOL can be used to set your mid-tone point without clipping any highlights or shadows. This may be a preferable workflow for some.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.34.51PM.jpg?v=1750727652\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cstrong\u003e5. Final Review:\u003c\/strong\u003e At this point, you may be done but, if not, now is a good time to review and confirm which “SCAN” or “PRINT” color model you prefer to work with from the ”-+ CS Negative+ Convert” group or proceed to the rest of the “-+ CS Negative+ Tools” in the group below to fine adjust your color model. Also, feel free to use any of the native Adobe Raw “Profiles” in the Develop\/Edit Panel to match the color profile of your choice. “Adobe Color” and “Adobe Portrait” are quite nice for certain images.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.42.21PM.jpg?v=1750727652\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eFor batch editing \u003c\/strong\u003eyou can always \"Sync\" adjustments across many photos to match a scene or lift your customized -+ color model edits by Copy and Pasting the Develop\/Edit Settings from any photo. Just be sure to copy ALL settings including \"Masking\" (Exposure, WB and Crop are optional) and select “Replace” if prompted. Always check the exposure and WB for each image after batch editing. You can then continue to tweak each image as needed using the -+ TOOLS or settings native to Lr and Camera Raw.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cem\u003e\u003cstrong\u003e-+ TOOLS Notes:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eA description of each -+ Tool is available in Adobe Camera Raw for Br or Ps by right clicking it and selecting “Preset Info.”\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eYou will notice that with most negatives, the native “Exposure“ Lr tool effects the red bias of the image a little (this is normal with the color curve of negative film) but the “BASIC – Neutral Density Fine Adjust” -+ TOOL, color remains neutral when adjusted.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe “Basic -+” Temp and Tint Fine Adjust -+ Tools are just more fine tuned and inverted correctly.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eIf desired, you can now continue to customize your conversion with the rest of the “-+ Tools” provided to make more custom fine-tune edits (or if you prefer the native tools in Lr) as you see fit. These “-+ Tools” can be especially helpful with underexposed, extremely overexposed, pushed and expired film.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at7.24.41PM.jpg?v=1750732428\"\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 81b841ae-f3a3-4cdb-b106-a79af6c699a9 --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: f387910d-adc7-410e-8702-e8ed1d28b6a2 --\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"-+ Free Download","offer_id":44455499497644,"sku":"CS-Negative-Plus","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Negative__1000-1.jpg?v=1751334824"},{"product_id":"cs-lite-plus-spectracolor-camera-scanning-light-source","title":"CS-LITE+ SpectraCOLOR™ Light Source","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/2025_CS-LITE__lockupTM_V1.png?v=1753999559\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCineStill CS-LITE+\u003c\/strong\u003e is a universal, compact light source; specifically designed for archival film scanning with any digital camera. Balanced light output with optimized color separation specifically calibrated for film!\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8055.jpg?v=1754674682\"\u003e\u003c\/p\u003e\n\u003cp\u003eMost light sources currently available for film scanning are not intended for that purpose and, even at high CRI, fail to get the job done due to lack of control and generic design. \u003cspan class=\"s1\"\u003eThe CS-LITE+ utilizes ultra-bright single-band LEDs, driven by a standard 5V\/1.5A USB power supply. Using proprietary SpectraCOLOR™ technology, years in the making, the narrowband light is then transformed and shaped into separate ultra-narrowband \u003c\/span\u003e\u003cspan class=\"s2\"\u003emultispectral\u003c\/span\u003e\u003cspan class=\"s1\"\u003e wavelengths \u003c\/span\u003e\u003cspan class=\"s1\"\u003e– unachievable with traditional LED technology – specifically calibrated to covert the color layers of film into the three color channels of a digital raw file, without color contamination or cross-talk, using any standard bayer-pattern (or similar) tri-color sensor. This allows your digital sensor to see negative film the way it was intended to be seen, resulting in the purest, most high-fidelity film to digital conversions achievable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_overlays-Recovered6.gif?v=1755035902\" alt=\"\"\u003e\u003cem\u003eFor more information or questions visit our \u003ca href=\"https:\/\/help.cinestillfilm.com\/hc\/en-us\/sections\/38677910346125-CS-LITE-Light-Source\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eF.A.Q. Help Center\u003c\/strong\u003e\u003c\/a\u003e for the CS-LITE+.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe CS-LITE+ can be setup in three different modes using the included \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\" title=\"Replacement CS-LiteBrite+ Sheets\"\u003eCS-LiteBrite+ Light Collimating Sheets\u003c\/a\u003e and two different Color Calibration Sheets.\u003c\/p\u003e\n\u003ch3\u003eCS-LITE+ Color Modes:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eColor Negative Mode (Color Negative Calibration Sheet)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8027.jpg?v=1754699831\" alt=\"\"\u003e\u003cbr\u003eThis mode is designed to reduce the orange mask present in color negatives to allow for more neutral scans resulting in superior color separation with less noise due to excessive gain produced when shifting color temperature below 2800K in a raw file. Place the included Color Negative Calibration Sheet (blue color)  directly on the surface of the light, beneath the included two \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e \u003cspan\u003e“Light Collimating” \u003c\/span\u003esheets (clear color), aligning the notched corners to the upper right of the light. Be sure to remove the protective film from both sides of the two clear “Light Collimating” sheets before using and to always place these sheets on top of the “Color Calibration” sheet for accurate use. The “Color Calibration” sheets have no protective film and are ready to use when placed beneath the two clear “Light Collimating” sheets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCool\/White Light Mode (Maximum Output For B\u0026amp;W Film Scanning)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8028.jpg?v=1754699899\" alt=\"\"\u003e\u003cbr\u003eStandard cool white light for scanning black and white negatives or white light dependent workflows. For this mode, place the included two \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e “Light Collimating” sheets (clear color) directly on the light source surface, aligning the notched corner to the upper right of the light. \u003cspan\u003eBe\u003c\/span\u003e\u003cspan\u003e sure to remove the protective film from both sides of the two “Light Collimating” sheets before using\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003eThis mode can also be used to scan color negative film for post-processing workflows developed for white-light scanning and may also be helpful for images taken on slide film under incandescent light.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWarm Light Mode (Color Positive Calibration Sheet for Slide Film Scanning)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8034.jpg?v=1754699928\" alt=\"\"\u003e\u003cbr\u003eSlide film is designed to be viewed with a warm, tungsten balanced backlight. To accomplish this, place the included “Color Positive Calibration Sheet” (yellow color) directly on the light surface, beneath the two \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e “Light Collimating” sheets (clear color), aligning the notched corners to the upper right of the light. \u003cspan\u003eBe\u003c\/span\u003e\u003cspan\u003e sure to remove the protective film from both sides of the two clear “Light Collimating” sheets before using and to always place \u003c\/span\u003e\u003cspan\u003ethese sheets\u003c\/span\u003e\u003cspan\u003e on top of the “Color Calibration” sheet for accurate use. The “Color Calibration” sheets have no\u003c\/span\u003e\u003cspan\u003e protective film and are ready to use when placed beneath the two clear “Light Collimating” sheets. \u003c\/span\u003eThis setting also produces even richer tones on slides and enhanced color separation for more control when editing. Can be helpful on some color negatives without an orange mask or daylight film exposed in very warm tungsten light.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIncluded Accessories: \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8008.jpg?v=1754700341\" alt=\"\"\u003e\u003cbr\u003e2x \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\" title=\"Replacement CS-LiteBrite+ Sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e Light Collimating Sheets (clear color)\u003cbr\u003e1x Color Negative Calibration Sheet (blue color)\u003cbr\u003e1x Color Positive Calibration Sheet (yellow color)\u003cbr\u003e1x CS-LiteMask Universal Carrier Mask\u003cbr\u003e1x \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_CS-LITE_spectra_Instruction_4.25x5.5_WEB-2.pdf?v=1758573140\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ePrinted Instructions\u003c\/a\u003e\u003cbr\u003e4x Rubber Feet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\" title=\"Replacement CS-LiteBrite+ Sheets\"\u003eCs-LiteBrite+\u003c\/a\u003e Collimating \u0026amp; Color Negative Calibration Sheets\u003c\/strong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8012.jpg?v=1754700204\" alt=\"\"\u003eThese replaceable prismatic “Light Collimating” sheets paired with the “Color Negative Calibration” sheet (blue in appearance) help reduce the orange mask found in color negative film, balancing the light to produce optimal results with a digital sensor while also offering increased directional light output, reducing spill light and enhancing diffusion uniformity. \u003cspan\u003eBe\u003c\/span\u003e\u003cspan\u003e sure to remove the protective film from both sides of the two clear “Light Collimating” sheets before using and to always place \u003c\/span\u003e\u003cspan\u003ethese sheets\u003c\/span\u003e\u003cspan\u003e on top of the “Color Calibration” sheet being used. The “Color Calibration” sheets have no\u003c\/span\u003e\u003cspan\u003e protective film and are ready to use when placed beneath the clear “Light Collimating” sheets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCS-LiteMask - Universal Carrier Mask\u003c\/strong\u003e\u003cbr\u003eUse your favorite film carrier with the CS-LITE+ without annoying spill light. Spill light increases the chance of reflection and color contamination when scanning your film.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_CS-LITE_spectra_Instruction_4.25x5.5_WEB-2.pdf?v=1758573140\" target=\"_blank\" title=\"Cs41 Complete Instructions\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eDownload CS-LITE+ SpectraCOLOR™ Light Source PDF Instruction Card\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/help.cinestillfilm.com\/hc\/en-us\/sections\/38677910346125-CS-LITE-Light-Source\" title=\"CS-LITE+ SpectraCOLOR FAQ\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eFrequently Asked Questions\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eArticles:\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/introducing-spectracolor-unlocking-a-new-era-for-film-conversion\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/meet-the-cs-lite-plus-with-spectracolor\"\u003e\u003cstrong\u003eMeet the CS-LITE+: The First Light Source Powered by SpectraCOLOR™\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/news\/the-camera-scanning-revolution-a-new-frontier\"\u003e\u003cstrong\u003eThe Camera Scanning Revolution: A New Frontier\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/news\/introducing-spectracolor-unlocking-a-new-era-for-film-conversion\"\u003e\u003cstrong\u003eIntroducing SpectraCOLOR™: Unlocking a New Era for Film Conversion\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/news\/film-is-better-in-spectracolor-cs-negative-convert-v1-2-update\"\u003e\u003cstrong\u003eFilm is better in SpectraCOLOR™: CS Negative+ Convert v1.2 Update\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eExternal Unit Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLength: 6.5 in\u003cbr\u003eWidth: 4.4 in\u003cbr\u003eHeight: 0.8 in\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIlluminated Area Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLength: 5 7\/8 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: 3 3\/4 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8126.jpg?v=1754700530\" alt=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eCamera Scanning Considerations:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c!-- notionvc: 1e5fbed7-e892-49b7-a46e-c8960560b709 --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c!-- notionvc: ce681754-4a7c-422d-80c4-7526f897891e --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware for Negative Conversion:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c!-- notionvc: 1234f5f7-da69-4ce4-8201-950f1ca120f1 --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"CineStill","offers":[{"title":"SpectraCOLOR™","offer_id":44612240900268,"sku":"CS-LITE-PLUS","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE__12.jpg?v=1763667351"},{"product_id":"limited-edition-sticker-sheet","title":"Limited Edition Sticker Sheet","description":"\u003ch1\u003eBy popular demand!\u003c\/h1\u003e\n\u003cp\u003eAfter years of requests, we've finally released a Limited Edition Sticker Sheet showcasing our four film stocks. Show some love for your favorite flavor of CineStill and decorate your water bottle, laptop, or film scanner. Take a little piece of CineStill with you wherever you go! \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"35mm","offer_id":44992493355180,"sku":"cs-sticker-cass-sht","price":1.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS_sticker-sheet.jpg?v=1763068658"}],"url":"https:\/\/cinestill.film\/collections\/cinestill-processing-supplies\/solution_bleach.oembed","provider":"CineStill Film","version":"1.0","type":"link"}